{"id":101159,"date":"2023-01-14T17:05:25","date_gmt":"2023-01-14T15:05:25","guid":{"rendered":"http:\/\/www.reunion68.se\/?p=101159"},"modified":"2023-01-08T16:59:15","modified_gmt":"2023-01-08T14:59:15","slug":"14-05-90","status":"publish","type":"post","link":"https:\/\/www.reunion68.se\/?p=101159","title":{"rendered":"Picturing a Lost World"},"content":{"rendered":"<h5 style=\"text-align: center;\"><a href=\"https:\/\/www.tabletmag.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"center alignleft\" src=\"http:\/\/www.reunion68.com\/Biuletyn\/img\/tablet-1.png\" alt=\"\" width=\"35%\" \/><\/a><span style=\"text-decoration: underline; color: #000080;\"><strong><a style=\"color: #000080; text-decoration: underline;\" href=\"https:\/\/www.tabletmag.com\/sections\/community\/articles\/picturing-lost-world-three-minutes-documentary\" target=\"_blank\" rel=\"noopener noreferrer\">Picturing a Lost World<\/a><\/strong><\/span><\/h5>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>CAROL UNGAR<\/strong><\/span><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\" \/>\n<h4 style=\"text-align: center;\"><span style=\"color: #808080;\"><strong>As the documentary \u2018Three Minutes\u2019 brings a Polish town\u2019s Jewish pre-Holocaust history into focus, a Yizkor book helped me imagine life in my parents\u2019 Romanian hometown.<\/strong><\/span><br \/>\n.<\/h4>\n<p style=\"text-align: center;\"><img decoding=\"async\" src=\"https:\/\/tablet-mag-images.b-cdn.net\/production\/8001643e4853eb8e1f8f7103fa6986d569a17a2f-1421x1037.jpg?w=1300&amp;q=70&amp;auto=format&amp;dpr=1\" width=\"100%\" \/><span style=\"color: #808080;\"><em>A still from \u2018Three Minutes: A Lengthening\u2019FAMILY AFFAIR FILMS, US HOLOCAUST MEMORIAL MUSEUM\/SUPER LTD<\/em><\/span><\/p>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Who were the 6 million?<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Who were the European Jews\u2014from the towns my parents called home\u2014who died in the Holocaust? What were their lives like? Their dreams, hopes, disappointments? What did they even look like before they were turned into concentration camp skeletons or heaps of ash?<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">As a child of survivors, these questions have rattled around in my head for decades. I never expected to find answers.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Then I learned about Bianca Stigter\u2019s new documentary,\u00a0<a style=\"color: #000080;\" href=\"https:\/\/superltd.com\/films\/three-minutes-a-lengthening\"><em>Three Minutes: A Lengthening<\/em><\/a>\u00a0(now streaming on Hulu), with its miraculous display of three minutes of footage frozen in time from a Jewish, Eastern European town before Hitler destroyed it. The three minutes were filmed by an amateur who had no idea that his home movie would one day become a historical treasure. The American, a garment manufacturer on a visit to his birthplace, used a then cutting-edge innovation\u2014Kodachrome\u2014to capture the Jews of the small Polish town of Nasielsk.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">With few exceptions, most notably\u00a0<a style=\"color: #000080;\" href=\"https:\/\/www.nytimes.com\/2010\/04\/04\/magazine\/04shtetl-t.html\">Roman Vishniac\u2019s<\/a>\u00a0work, we don\u2019t get many glimpses into that now-destroyed world. My own parents wouldn\u2019t or couldn\u2019t evoke that world in stories. Their wounds were still too raw to risk reopening.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">They also lacked physical objects to tell the story of that time and place. As deportees\u2014my father to a labor camp, and my mother to Auschwitz\u2014my parents lost nearly everyone and everything, including scrapbooks, letters, and photo albums. My father didn\u2019t even have a photo of his mother. The dearth of belongings made it seem as if the world they came from never existed. This shocking reality was not uncommon.<\/span><\/p>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">\u201cNow,\u201d Morry Chandler, a Holocaust survivor who appears in the original footage as a 13-year-old boy, quips in\u00a0<em>Three Minutes<\/em>, \u201cmy children will know that I\u2019m not from Mars.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">My parents weren\u2019t from Nasielsk but their hometowns in the part of Romania known as Transylvania shared the same traditional Ashkenazi cultural milieu. That\u2019s why I reckoned that seeing prewar Nasielsk would be the closest I\u2019d ever get to viewing their home communities during their prewar glory. And it was. The people on the screen in their 1930s clothing\u2014some of them laughing, some smiling, some just staring\u2014look so real that I can almost imagine them as neighbors.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">In her film, Stigter reveals the physical world around those frames\u2014even the species of trees that skirt the edge of the frame\u2014but there\u2019s not enough focus on the people. Though Glenn Kurtz, the grandson of the filmmaker on whose memoir the film is based, devoted years to locating the people in the clip, he only succeeded in identifying a small number of them. Most are gone forever, not buried in graves, their names lost to history. That is tragic, of course, and the ultimate humiliation. But did everyone experience that?<\/span><\/p>\n<p><span style=\"color: #000080;\">To my surprise, the people of my mother\u2019s town, Satmar, left an alternatively lively and wrenching record of themselves and their prewar lives in their Yizkor book.<\/span><\/p>\n<p><span style=\"color: #000080;\">Yizkor books are memorial volumes compiled by survivors to remember their prewar communities. Written by the survivors themselves, these books describe daily life through essays and photographs, sometimes including short biographies of the dead.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Nasielsk has a book, published in 1953, that evokes a typical Jewish town with its Talmudists, Bundists, Zionists, even a small Yiddish theater, but the book is short. Too short. It doesn\u2019t allow us to know the 3,500 Jews who called Nasielsk home.<\/span><\/p>\n<\/div>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">In contrast, the Yizkor book from Satmar\u2014bound in dark blue and gold, like a volume of the Talmud\u2014is long and detailed, providing a comprehensive history of the town along with a bit of its unique flavor.<\/span><\/p>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/tablet-mag-images.b-cdn.net\/production\/12749cfb741b783e31f6fbbbe2bbcd3236f327e6-2000x2500.jpg?w=1200&amp;q=70&amp;auto=format&amp;dpr=1\" width=\"100%\" \/><\/p>\n<\/div>\n<div class=\"ArticleView__content-switch bradford text-article-body-md font-300 mxauto\">\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">As my mother told me during our Shabbos afternoon walks when I quizzed her incessantly, pulling her history out of her almost by force, prewar Satmar had been lively and diverse. A relatively big town, Satmar was home to 14,000 Jews, most of whom didn\u2019t survive the war. Satmar\u2019s Jews included Hasidim (both Satmar and various other kinds), other Orthodox Jews, and nonobservant assimilated Jews. As in Nasielsk, the overwhelming feeling was deeply Jewish: Life proceeded to the steady beat of the Jewish calendar.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Most of the men worked as shopkeepers, craftsmen, or day laborers, many of them struggling financially. A few owned factories, producing everything from soda pop to chocolate to eye covers for the non-Jewish dead. Satmar also boasted a state-of-the-art Jewish hospital and a Jewish-owned bank called Casa Nostra (no Mafia affiliations), as well as 26 synagogues and at least a half-dozen yeshivas.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Satmar\u2019s best-known resident was Reb Yoelish, Rabbi Joel Teitelbaum, the spiritual father of the Satmar Hasidic dynasty, the world\u2019s\u00a0<a style=\"color: #000080;\" href=\"https:\/\/en.wikipedia.org\/wiki\/Satmar\">largest<\/a>. While the Rebbe was revered for his personal piety and scholarship, his famously virulent anti-Zionism wasn\u2019t shared by all. My grandmother had been Zionist enough to name her firstborn after Theodor Herzl\u2014tragically, he died as an infant. The Yizkor book commends my grandmother for her acts of charity, these words being the only epitaph for her; like most Holocaust victims, she has no grave. For me\u2014her granddaughter who never knew her but bears her name\u2014this is the most meaningful part of the book.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Another Satmar Zionist, candy store owner Isaiah Lazer, spoke Hebrew at home and sported a beard that resembled Herzl\u2019s, in preparation for an aliyah that tragically never took place. And Satmar had a beating Jewish heart. Nearly everyone seemed to occupy some sort of voluntary post either as a burial society member, a synagogue\u00a0<em>gabay<\/em>, prayer leader, Torah reader, Torah teacher, or officer in either the Orthodox or \u201cstatus quo\u201d\u00a0<em>kehillah<\/em>, a\u00a0<a style=\"color: #000080;\" href=\"https:\/\/www.jta.org\/archive\/hungary-backs-move-to-solve-problem-of-three-jewish-sects\">uniquely Hungarian denomination<\/a>\u00a0straddling the boundaries of modern Orthodoxy and the Conservative movement.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">The mini-bios in the Yizkor book point out personal quirks: Mordechai Lefkowitz, a businessman who sat on the governing boards of the\u00a0<em>chevra kadisha<\/em>, the Talmud Torah, and the\u00a0<em>kehillah<\/em>, is recalled as having been \u201cshort in stature but long on good deeds.\u201d Torah scholar Shlomo Yehuda Brach is remembered for his pleasant personality, as well as the long pipe he smoked.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">The book also recounts the tale of Reb Yaakov Fischer Kapelybaci; his nickname means \u201cuncle yarmulke,\u201d a poor and elderly Jew who, when arrested by the Nazis, reported his age as 2 weeks old due to an Amelia Bedelia-like mistaken word choice in Hungarian. Because of this, he was freed, and his story provided the hard-pressed Jews of Satmar with much-needed comic relief.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Also included is Yehuda Stern\u2019s darkly humorous suicide note\u2014one of a tiny minority of Jews who took their own lives. \u201cIn Berlin,\u201d he writes, as if from beyond the grave, \u201cHitler rose to power, and I escaped Berlin to Vienna. In 1938 he followed me there, so I escaped to Budapest. In March 1944, he chased me to Budapest to I escaped to Satmar. From there, I escaped to the place where I am now. This time I hope he follows me.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Unlike the Nasielskers, the people of Satmar remain faceless\u2014the book doesn\u2019t have many photographs\u2014but the word portraits bring the dead back to life. Their stories of devotion, voluntarism, and an ability to laugh in the darkest of times transform them from dead strangers into role models for life.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<hr \/>\n<\/div>\n<\/div>\n<div class=\"AuthorBioBlock col-12 lg:col-10 xl-wide:col-8 w100 mt6 mxauto\">\n<div class=\"AuthorBioBlock__container graebenbach mt1_5 text-section-details-sm font-300 color-red\">\n<p style=\"text-align: left;\"><span style=\"color: #808080;\"><em><strong>Carol Ungar\u2019<\/strong>s writing has appeared in NextAvenue,\u00a0Forbes, NPR, the Jerusalem Post Magazine, and Fox News.\u00a0She also leads memoir writing workshops on Zoom.<\/em><\/span><\/p>\n<\/div>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\" \/>\n<div id=\"content\" class=\"content-alignment\">\n<div id=\"watch-description\" class=\"yt-uix-button-panel\">\n<div id=\"watch-description-text\" style=\"text-align: center;\">\n<p><em>Zawarto\u015b\u0107 publikowanych artyku\u0142\u00f3w i materia\u0142\u00f3w nie reprezentuje pogl\u0105d\u00f3w ani opinii Reunion&#8217;68,<\/em><em><br \/>\nani te\u017c webmastera Blogu Reunion&#8217;68, chyba ze jest to wyra\u017anie zaznaczone.<br \/>\nTwoje uwagi, linki, w\u0142asne artyku\u0142y lub wiadomo\u015bci prze\u015blij na adres:<br \/>\n<\/em><span style=\"color: #000080;\"><strong><em><a style=\"color: #000080;\" href=\"mailto:webmaster@reunion68.com\"><span style=\"text-decoration: underline;\">webmaster@reunion68.com<\/span><\/a><\/em><\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<hr style=\"width: 100%;\" \/>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Picturing a Lost World CAROL UNGAR As the documentary \u2018Three Minutes\u2019 brings a Polish town\u2019s Jewish pre-Holocaust history into focus, a Yizkor book helped me imagine life in my parents\u2019 Romanian hometown. . A still from \u2018Three Minutes: A Lengthening\u2019FAMILY AFFAIR FILMS, US HOLOCAUST MEMORIAL MUSEUM\/SUPER LTD Who were the 6 million? Who were the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[26,24],"_links":{"self":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/101159"}],"collection":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=101159"}],"version-history":[{"count":6,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/101159\/revisions"}],"predecessor-version":[{"id":101172,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/101159\/revisions\/101172"}],"wp:attachment":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=101159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=101159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=101159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}