{"id":115439,"date":"2024-09-01T17:00:14","date_gmt":"2024-09-01T15:00:14","guid":{"rendered":"http:\/\/www.reunion68.se\/?p=115439"},"modified":"2024-09-01T12:27:06","modified_gmt":"2024-09-01T10:27:06","slug":"04-00-92","status":"publish","type":"post","link":"https:\/\/www.reunion68.se\/?p=115439","title":{"rendered":"\u2018September 5\u2019 Film About Live Broadcast of 1972 Munich Olympics Massacre Premieres at Venice Film Festival"},"content":{"rendered":"<h5 style=\"text-align: center;\"><a href=\"https:\/\/www.algemeiner.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"center alignleft\" src=\"http:\/\/www.reunion68.com\/Biuletyn\/img\/algem.png\" alt=\"\" width=\"35%\" \/><\/a><span style=\"text-decoration: underline; color: #000080;\"><span><strong><a style=\"color: #000080; text-decoration: underline;\" href=\"https:\/\/www.algemeiner.com\/2024\/08\/30\/september-5-film-live-broadcast-1972-munich-olympics-massacre-premieres-venice-film-festival\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u2018September 5\u2019 Film About Live Broadcast of 1972 Munich Olympics Massacre Premieres at Venice Film Festival<\/a><\/strong><\/span><\/span><\/h5>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Shiryn Ghermezian<\/strong><\/span><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\" \/>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/www.algemeiner.com\/wp-content\/uploads\/2020\/01\/municholympicsmassacre.jpg\" width=\"100%\" \/><span style=\"color: #808080;\"><em>An image of one of the Palestinian terrorists who took part in the 1972 Munich Olympics massacre. Photo: Wikimedia Commons.<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">\u201cSeptember 5,\u201d a film about the Palestinian terrorist attack targeting the Israeli delegation at the 1972 Munich Olympics, made its world premiere at the Venice Film Festival on Thursday.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Tim Fehlbaum\u2019s\u00a0<a style=\"color: #000080;\" href=\"https:\/\/www.labiennale.org\/en\/cinema\/2024\/orizzonti-extra\/september-5\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cSeptember 5\u201d<\/a>\u00a0centers on Sept. 5, 1972, the day the Black September terrorist group infiltrated the Summer Olympics in Munich and murdered 11 Israeli athletes and coaches after taking them hostage. However, viewers follow the tragic events from the perspective of the American broadcasting team for ABC Sports that covered the hostage situation on the ground in Munich and shifted gears to present live coverage of the terrorist attack for television viewers in the US as it unfolded around them.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The Munich massacre was the first time a terrorist attack had been broadcast live to a global audience, according to NPR. It became an iconic moment in broadcasting history when ABC anchor Jim McKay, who had led coverage throughout the day, announced to world audiences at 3:24 am, \u201cThey\u2019re all gone,\u201d after the 11 Israelis were murdered.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">\u201cSeptember 5\u201d includes archival documentary footage from the terrorist attack and the ABC Sports broadcast at the time, including scenes that feature McKay.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The Black September terrorist attack has been the subject of other films in the past, most notably Steven Spielberg\u2019s \u201cMunich,\u201d but \u201cSeptember 5\u201d is the first time that the massacre is being depicted on screen from the unique perspective of the real-time, live broadcast that was seen globally by an estimated one billion people at the time, according to a synopsis of the 94-minute film provided by the Venice Film Festival.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">\u201cAt the heart of the story is Geoff, a young and ambitious producer [played by John Magaro] striving to prove himself to his boss, the legendary TV executive Roone Arledge,\u201d who is played by Peter Sarsgaard, the synopsis further stated. \u201cTogether with Marianne, a German interpreter [played by Leonie Benesch], Geoff unexpectedly takes the helm of the live coverage. As narratives shift, time ticks away, and conflicting rumors spread, with the hostages\u2019 lives hanging in the balance, Geoff grapples with tough decisions while confronting his own moral compass. How do you cover a situation like this if what the perpetrators want is the spotlight you give?\u201d<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Fehlbaum explained that as part of the research for \u201cSeptember 5,\u201d his team partnered with Geoffrey Mason, who was a \u201ckey eyewitness\u201d of the Olympic attack and \u201can integral member of the control room team that pivoted from reporting on sports to geopolitics during this 22-hour marathon of live broadcasting.\u201d<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">\u201cBased on his recollections, as well as the inclusion of original footage, our aim was to tell this story of journalistic responsibilities and the power of images as authentically as possible,\u201d Fehlbaum said. \u201cBy focusing on the broadcaster\u2019s perspective, we are confronted with the moral, ethical, professional, and ultimately psychological dilemmas of journalists: Can we share information before it is confirmed? Can a live broadcast include acts of violence? What is the role of media and journalism, and what is the line between news and spectacle?\u201d<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Screenwriter Moritz Binder penned the screenplay for the English and German language film with Fehlbaum and co-writer Alex Davis.<\/span><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\" \/>\n<div id=\"content\" class=\"content-alignment\">\n<div id=\"watch-description\" class=\"yt-uix-button-panel\">\n<div id=\"watch-description-text\" style=\"text-align: center;\">\n<p><em>Zawarto\u015b\u0107 publikowanych artyku\u0142\u00f3w i materia\u0142\u00f3w nie reprezentuje pogl\u0105d\u00f3w ani opinii Reunion&#8217;68,<\/em><em><br \/>\nani te\u017c webmastera Blogu Reunion&#8217;68, chyba ze jest to wyra\u017anie zaznaczone.<br \/>\nTwoje uwagi, linki, w\u0142asne artyku\u0142y lub wiadomo\u015bci prze\u015blij na adres:<br \/>\n<\/em><span style=\"color: #000080;\"><strong><em><a style=\"color: #000080;\" href=\"mailto:webmaster@reunion68.com\"><span style=\"text-decoration: underline;\">webmaster@reunion68.com<\/span><\/a><\/em><\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<hr style=\"width: 100%;\" \/>\n","protected":false},"excerpt":{"rendered":"<p>\u2018September 5\u2019 Film About Live Broadcast of 1972 Munich Olympics Massacre Premieres at Venice Film Festival Shiryn Ghermezian An image of one of the Palestinian terrorists who took part in the 1972 Munich Olympics massacre. Photo: Wikimedia Commons. \u201cSeptember 5,\u201d a film about the Palestinian terrorist attack targeting the Israeli delegation at the 1972 Munich [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[26,24],"_links":{"self":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/115439"}],"collection":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=115439"}],"version-history":[{"count":4,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/115439\/revisions"}],"predecessor-version":[{"id":115458,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/115439\/revisions\/115458"}],"wp:attachment":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=115439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=115439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=115439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}