{"id":51263,"date":"2017-04-04T17:00:56","date_gmt":"2017-04-04T15:00:56","guid":{"rendered":"http:\/\/www.reunion68.se\/?p=51263"},"modified":"2017-04-04T07:36:41","modified_gmt":"2017-04-04T05:36:41","slug":"51263","status":"publish","type":"post","link":"https:\/\/www.reunion68.se\/?p=51263","title":{"rendered":"W nowym numerze &#8220;Midrasza&#8221; (marzec-kwiecie\u0144 2017)"},"content":{"rendered":"<h5 style=\"text-align: center;\"><a href=\"http:\/\/www.midrasz.pl\/\" target=\"_blank\"><img decoding=\"async\" class=\"center alignleft\" src=\"http:\/\/www.reunion68.com\/Biuletyn\/img\/midrasz.png\" alt=\"\" width=\"35%\" \/><\/a><span style=\"text-decoration: underline; color: #000080;\"><span style=\"text-decoration: underline;\"><strong><a style=\"color: #000080; text-decoration: underline;\" href=\"http:\/\/www.midrasz.pl\/czasopismo.php\" target=\"_blank\">W nowym numerze &#8220;Midrasza&#8221; (marzec-kwiecie\u0144 2017)<\/a><\/strong><\/span><\/span><\/h5>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong><img decoding=\"async\" class=\"profilePic img\" src=\"https:\/\/scontent-arn2-1.xx.fbcdn.net\/v\/t1.0-1\/p160x160\/13173898_10154188488069513_5083469784845246557_n.jpg?oh=f30c7e7ff9ad078a1c3f9b2b37c8c9e5&amp;oe=59643731\" alt=\"Piotr Pazinski's Profile Photo, No automatic alt text available.\" width=\"10%\" \/>\u00a0\u00a0\u00a0 Piotr Pazinski<\/strong><\/span><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 710px;\" \/>\n<p style=\"text-align: left;\"><span style=\"color: #000000;\"><strong>W nowym numerze &#8220;Midrasza&#8221; (marzec-kwiecie\u0144 2017) piszemy i rozmawiamy o Le\u015bmianie.<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">O urokach poezji autora &#8220;\u0141\u0105ki&#8221; i o tym, czy by\u0142, czy nie by\u0142 poet\u0105 \u017cydowskim, rozmawiaj\u0105 <strong>Krysia D\u0105browska, Justyna Sobolewska i Piotr Pazinski<\/strong>. O rosyjskiej poezji Le\u015bmiana pisze <strong>Sonia Samet-Bovin<\/strong>, a o jego metafizyce <strong>Aleksandra Francuz<\/strong>. <\/span><\/p>\n<p><span style=\"color: #000080;\">W numerze ponadto: <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; o emigracji i emigracyjnej korespondencji Hannie Marii Gizie opowiadaj\u0105 <strong>Anna Frajlich, Felicja Bromberg i W\u0142adys\u0142aw Zaj\u0105c<\/strong>; <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; o tym, jak r\u00f3\u017cni\u0142y si\u0119 relacje o pogromie kieleckim w prasie polskiej i \u017cydowskiej pisze <strong>Pawe\u0142 Wieczorek<\/strong>; <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; <strong>Arkadiusz Pacholski<\/strong> dzieli si\u0119 swoimi wra\u017ceniami z powt\u00f3rnej lektury powie\u015bci <strong>Andrzeja Ku\u015bniewicza<\/strong>; <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; <strong>Krzysztof Lichtblau<\/strong> opowiada o komiksie o wi\u0119\u017aniarkach z Ravensbr\u00fcck; <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; <strong>Pola Reuveni-Shner<\/strong> wspomina sw\u00f3j powr\u00f3t do nieistniej\u0105cej ju\u017c \u017cydowskiej \u0141odzi; <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; <strong>Stanis\u0142aw Obirek<\/strong> pisze o literackim \u015bwiecie <strong>Szmuela Josefa Agnona<\/strong>; <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; <strong>Aleksandra Francuz<\/strong> analizuje poezj\u0119 <strong>Hadasy Rubin<\/strong>; <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; rabinka <strong>Ma\u0142gorzata Kordowicz<\/strong> obja\u015bnia halachiczne dyskusje na temat aborcji; <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; <strong>Bella Szwarcman-Czarnota<\/strong> o diab\u0142ach, czartach i chochlikach w s\u0142u\u017cbie \u017cydowskiej literaturze. <\/span><\/p>\n<p><span style=\"color: #000080;\">Wreszcie proza: <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; <strong>Der Nister<\/strong> (w przek\u0142adzie BS-C) o czartach, diab\u0142ach i chochlikach; <\/span><br \/>\n<span style=\"color: #000080;\">&#8211; Notatki z getta \u0142\u00f3dzkiego <strong>J\u00f3zefa Zelkowicza<\/strong>;<\/span><br \/>\n<strong><span style=\"color: #000080;\">&#8211; Alex Adelist o Marcu 68 i zjazdach Reunionu.<\/span> <\/strong><\/p>\n<p>PS. Pi\u0119kny symbolistyczny pastel zatytu\u0142owany &#8220;<em>Zmora my\u015bli. Ewa<\/em>&#8221; z 1907 roku jest dzie\u0142em <strong>Boles\u0142awa Biegasa<\/strong>.<\/p>\n<p><img decoding=\"async\" class=\"_46-i img aligncenter\" style=\"left: -12px; top: 0px;\" src=\"https:\/\/scontent-arn2-1.xx.fbcdn.net\/v\/t1.0-0\/s640x640\/17795690_10155171480784513_798055585129265374_n.jpg?oh=e4bb37514fc953d022dd88b86c94b1e5&amp;oe=59550464\" alt=\"Image may contain: 2 people\" width=\"75%\" \/><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 710px;\" \/>\n<div id=\"content\" class=\" content-alignment&lt;br \/&gt;&lt;br \/&gt; \">\n<div id=\"watch-description\" class=\"yt-uix-button-panel\">\n<div id=\"watch-description-text\">\n<p style=\"text-align: center;\"><span style=\"color: #808080;\"> twoje uwagi, linki, wlasne artykuly, lub wiadomosci przeslij do: <span style=\"color: #000080;\"><strong><span style=\"text-decoration: underline;\"><span style=\"text-decoration: underline;\"><a style=\"color: #000080; text-decoration: underline;\" href=\"mailto:webmaster@reunion68.com\">webmaster@reunion68.com<\/a><\/span><\/span><\/strong><\/span><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<hr style=\"width: 710px;\" \/>\n","protected":false},"excerpt":{"rendered":"<p>W nowym numerze &#8220;Midrasza&#8221; (marzec-kwiecie\u0144 2017) \u00a0\u00a0\u00a0 Piotr Pazinski W nowym numerze &#8220;Midrasza&#8221; (marzec-kwiecie\u0144 2017) piszemy i rozmawiamy o Le\u015bmianie. O urokach poezji autora &#8220;\u0141\u0105ki&#8221; i o tym, czy by\u0142, czy nie by\u0142 poet\u0105 \u017cydowskim, rozmawiaj\u0105 Krysia D\u0105browska, Justyna Sobolewska i Piotr Pazinski. O rosyjskiej poezji Le\u015bmiana pisze Sonia Samet-Bovin, a o jego metafizyce Aleksandra [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[26,24],"_links":{"self":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/51263"}],"collection":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51263"}],"version-history":[{"count":8,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/51263\/revisions"}],"predecessor-version":[{"id":51271,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/51263\/revisions\/51271"}],"wp:attachment":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}