{"id":64412,"date":"2018-10-08T17:05:43","date_gmt":"2018-10-08T15:05:43","guid":{"rendered":"http:\/\/www.reunion68.se\/?p=64412"},"modified":"2018-10-07T09:27:05","modified_gmt":"2018-10-07T07:27:05","slug":"12-00-30","status":"publish","type":"post","link":"https:\/\/www.reunion68.se\/?p=64412","title":{"rendered":"RETROSPECTIVE SHOWCASES THE ART OF CLAIRE WEISSMAN WILKS"},"content":{"rendered":"
<\/a>RETROSPECTIVE SHOWCASES THE ART OF CLAIRE WEISSMAN WILKS<\/a><\/strong><\/span><\/h5>\n

Barbara Silverstein<\/strong><\/span><\/p>\n

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An untitled painting from Claire Wilks’s Out of the Cave<\/strong> series.<\/em><\/span><\/p>\n

Claire Weissman Wilks, a Toronto visual artist, exhibited her work in major galleries in Europe, Israel and Mexico. She was lauded by art critics in Italy, Serbia, Sweden, Mexico and Israel, but her one-woman shows did not garner the same level of recognition in Canada, her native country.<\/span><\/p>\n

Wilks died of leukemia in 2017 at the age of 83, and now a group of art aficionados spearheaded by writer Barry Callaghan, Wilks\u2019 common-law husband of 47 years, and art curator, Christian Bernard Singer, are determined to bring new attention to her artwork in Canada.<\/span><\/p>\n

\u201cWhat the Hand Sees,\u201d a retrospective exhibition of Wilks\u2019 work, is running at the Sheldon Rose Gallery until Oct. 13. On view are her monoprints from the \u201cOut of the Cave\u201d series along with sculpture and conte drawings.<\/span><\/p>\n

On Sept. 30 the\u00a0\u00a0<\/span>gallery was also the venue for the launch of\u00a0Claire Wilks<\/i>\u00a0What the Hand Sees<\/i>\u00a0(Exile Editions). This coffee-table, book, edited by Callaghan, showcases Wilks\u2019 artwork. The book also encompasses biographical details of her life, and contributions about her work by other artists and literary figures.<\/span><\/p>\n

More than 50 people gathered for the multifaceted launch. Novelist Anne Michaels interviewed Callaghan about Wilks, her art and their life together. Michaels has also written about Wilks\u2019 art, as has poet, David Sobelman. He read from his book,\u00a0Facets of Eros: The Drawings of Claire Wilks<\/i>\u00a0(Exile Editions).<\/span><\/p>\n

The afternoon also included Janice Kulyk Keefer\u2019s readings from\u00a0We Left the Camp Singing: The Etty Hillesum Poems and Drawings<\/i>\u00a0(Exile Editions) . The book features Kulyk Keefer\u2019s poetry along with drawings by Wilks. These works were inspired by\u00a0The Interrupted Life: The Diaries of Etty Hillesum; The Intimate Journal of a Young Jewish Woman in Holland<\/i>\u00a0During the Holocaust Years, 1941-1943. Hillesum died in Auschwitz in 1943.<\/span><\/p>\n

There was even live\u00a0\u00a0<\/span>music. Sicilian-inspired music was performed by Juno-Award winning artist, Dominic Mancuso, one of Wilks\u2019 favourite musicians.<\/span><\/p>\n

Her work did not follow the abstract trajectory of the various contemporary art movements. Her focus was figurative with an emphasis on the human body and all its configurations.<\/span><\/p>\n

Another from the Out of the Cave series.<\/em><\/span><\/p>\n

Wilks was a master at depicting the body, whether it was the intricate detail of the naked and contorted human forms inspired by Hillesum\u2019s writings or the stark emotion conveyed in the bold forms of the Out of the Cave monoprints.<\/span><\/p>\n

Through various media \u2013 charcoal, tusche lithography, monoprints, clay and bronze \u2013 she was able to convey the human emotional experience from love and compassion to loneliness and pain.<\/span><\/p>\n

She was also known for portraying the eroticism of the human body \u2013 male and female.<\/span><\/p>\n

Wilks, grew up in a Jewish home, but her parents divorced. She contracted tuberculosis in her late teens and spent three years confined to a sanatorium. In 1952, when she was successfully treated with antibiotics and surgical removal of a rib and the infected part of her lung.<\/span><\/p>\n

She had four children with her first husband, Sydney Weissman. When the couple divorced Wilks found a job at the CBC. She was working in the current affairs department in the early \u201870s when she met Callaghan, then a CBC producer.<\/span><\/p>\n

He spoke about her 30 years of juggling two careers \u2013 current affairs and art. After a day at the CBC, Wilks would retreat to her studio at night and on weekends. Once she retired from the CBC she became a full-time artist.<\/span><\/p>\n

In addition to Toronto, Ottawa and Calgary, Wilks also had solo exhibitions in New York, Jerusalem, Rome, Venice, Stockholm, Zagreb, and Mexico City.<\/span><\/p>\n

The exhibition of her monoprints at the Fondazione Querini Stampalia in Venice, was a major career milestone, according to Callaghan. He likened the Fondazione to the Guggenheim in terms of the institution\u2019s stature in Northern Italy.<\/span><\/p>\n

He said Wilks was also the first international artist to be given a major exhibition at the inauguration of the Pinacotcea of the Centro des Artes in Monterrey, Mexico.<\/span><\/p>\n

\u201cThe Mexican governor was there. The Canadian ambassador to Mexico was there,\u201d Callaghan recalled. \u201cI was so pleased. I was ecstatic. This was her moment. I just loved watching it.\u201d<\/span><\/p>\n

The Sheldon Rose Gallery (1710 Avenue Rd.) is open Tues. to Sat. from 11 a.m. to 5 p.m. and on Sundays from 1 to 5 p.m.<\/span><\/p>\n

An untitled monoprint from 2005.<\/em><\/span><\/p>\n

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RETROSPECTIVE SHOWCASES THE ART OF CLAIRE WEISSMAN WILKS Barbara Silverstein An untitled painting from Claire Wilks’s Out of the Cave series. Claire Weissman Wilks, a Toronto visual artist, exhibited her work in major galleries in Europe, Israel and Mexico. She was lauded by art critics in Italy, Serbia, Sweden, Mexico and Israel, but her one-woman […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[26,24],"_links":{"self":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/64412"}],"collection":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=64412"}],"version-history":[{"count":5,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/64412\/revisions"}],"predecessor-version":[{"id":64447,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/64412\/revisions\/64447"}],"wp:attachment":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=64412"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=64412"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=64412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}