{"id":66912,"date":"2019-01-24T17:05:52","date_gmt":"2019-01-24T15:05:52","guid":{"rendered":"http:\/\/www.reunion68.se\/?p=66912"},"modified":"2019-01-20T09:40:48","modified_gmt":"2019-01-20T07:40:48","slug":"24-05-36","status":"publish","type":"post","link":"https:\/\/www.reunion68.se\/?p=66912","title":{"rendered":"Alice Herz-Sommer – \u201cMusic is a Miracle and the First Place of Art\u201d"},"content":{"rendered":"
\"Interlude.hk\"<\/a>\u201cMusic is a Miracle and the First Place of Art\u201d \u2013 Alice Herz-Sommer<\/a><\/strong><\/span><\/h5>\n

Janet Horvath<\/strong><\/span><\/p>\n

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1947: Alice Herz-Sommer at a <\/em><\/span>
\nphotoshoot for a concert Photograph:<\/em><\/span>
\n Archiv Mickie Gorinstein<\/em><\/span>
\n<\/p>\n

More than ever we need heroes. Alice Hertz-Sommer is one of mine. Alice practiced the piano several hours each day usually from memory and with total absorption\u2014Chopin waltzes, Schubert impromptus, Bach inventions, Beethoven sonatas and she played chamber music with trusted friends and relatives until she passed away at age 110 in 2014. Such longevity is itself a marvel. Alice\u2019s infectious laugh leads us to suspect that she had a carefree life.<\/span>
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\nMost victims did not emerge unscathed from the traumas that were experienced during the Holocaust. In 1943 Alice was rounded up by the Nazis and incarcerated at Theresienstadt (Terezin), the infamous concentration camp. There, in horrifying conditions, surrounded by death and filth and with virtually no food, she performed approximately 100 concerts including all 27 Chopin Etudes from memory. Her artistry offered sustenance and a momentary spiritual refuge for the desperate, desolate and ill prisoners. \u201cMusic was our food. Through making music we were kept alive.\u201d<\/span><\/p>\n

Alice Herz-Sommer was born in Prague in 1903 one of five children of a Jewish family that emphasized learning and music. Her brother was an accomplished violinist; her older sister Irma taught Alice how to play piano. From a very early age the children played chamber music together. Music was their language and mode of communication.<\/span><\/p>\n

1920: Alice prepares to join the musical academy Photograph: Alice Herz-Sommer \/ Droemer-Knaur<\/em><\/span><\/p>\n

As a girl Alice regaled the famous guests that frequented Salon evenings at her parents\u2019 home, rubbing shoulders with family friends: the author Franz Kafka and composer Gustav Mahler. The intellectual atmosphere of the household was a great influence on Alice as was the artistic milieu of early twentieth century Europe. Alice was eight years old when she heard Mahler\u2019s Symphony No. 2 performed. Another acquaintance, the esteemed pianist Arthur Schnabel, encouraged Alice to become a musician. By 1928 she had become a musical celebrity, embarking on whirlwind concert tours all over Europe.<\/span><\/p>\n

In 1931 Alice fell in love and within two weeks married the handsome violinist Leopold Sommer and they bore a son in 1937. But trouble was brewing for Jewish people. In 1939 Nuremberg laws were implemented\u2014stringent regulations, which prevented Alice from concertizing and teaching. They were allowed to shop for one hour a day and only in restricted stores. She and her family had to move into a ghetto and her piano was confiscated. Alice risked being shot on the spot when she surreptitiously played on a hidden piccolo piano. After the Nazi invasion and takeover several family members fled but Alice remained behind to care for her ailing 72-year-old mother who was soon deported to Terezin and then the extermination camp Treblinka in 1942. Alice was grief-stricken. Her only consolation was to immerse herself in music, delving deeply in Chopin\u2019s Etudes.<\/span><\/p>\n

Raphael and his mother Alice Herz-Sommer in Jerusalem Photograph: Archiv Chaim Adler<\/em><\/span><\/p>\n

Alice and her son were transported to Terezin in 1943, the camp for Jewish celebrities, intellectuals, composers and performers. The Germans encouraged cultural life. Despite no sheet music and a few beat up instruments, concerts were presented including Mendelssohn\u2019s Elijah<\/em> and the children\u2019s opera Brundib\u00e1r<\/em>, by Kans Kr\u00e1sa, which was staged fifty-five times. Alice\u2019s son sang the role of the sparrow in the opera. He also turned the pages at every weekly concert his mother was forced to perform while also working as a slave laborer.<\/span><\/p>\n

Terezin was rigged as a model camp to deceive the inspectors from the Red Cross. Prisoners who were \u201cresettled\u201d were being \u201cwell-treated\u201d here. The grass was painted green, fake stores and a school was opened for the propaganda film made and widely distributed by the Nazis. Little did the visiting Red Cross commission know that after the filming most of the performers were sent to the gas chambers. Other well-known artists such as the composer Victor Ullmann were among the thousands who perished in Terezin. Fortunately, Mrs. Herz-Sommer, the conductor Karel An\u010derl and other greats such as Viktor Frankl author of Man\u2019s Search for Meaning<\/em> survived. Of 15,000 children only a handful endured. Buoyed by the hope music gave her, Alice was unfailingly optimistic. Her performances, even in those circumstances, were mesmerizing.<\/span><\/p>\n

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