{"id":73107,"date":"2019-09-09T17:05:42","date_gmt":"2019-09-09T15:05:42","guid":{"rendered":"http:\/\/www.reunion68.se\/?p=73107"},"modified":"2019-09-08T10:53:42","modified_gmt":"2019-09-08T08:53:42","slug":"14-05-51","status":"publish","type":"post","link":"https:\/\/www.reunion68.se\/?p=73107","title":{"rendered":"The Painted Bird review \u2013 savage, searing three-hour tour of hell"},"content":{"rendered":"<h5 style=\"text-align: center;\"><a href=\"https:\/\/www.theguardian.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" width=\"30%\" class=\"center alignleft\" alt=\"\" src=\"http:\/\/www.reunion68.com\/Biuletyn\/img\/guardian.jpg\"><\/a><span style=\"text-decoration: underline; color: #000080;\"><strong><a style=\"color: #000080; text-decoration: underline;\" href=\"https:\/\/www.theguardian.com\/film\/2019\/sep\/03\/the-painted-bird-review-vaclav-mahoul\" target=\"_blank\" rel=\"noopener noreferrer\">The Painted Bird review \u2013 savage, searing three-hour tour of hell<\/a><\/strong><\/span><\/h5>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Xan Brooks<\/strong><\/span><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\">\n<p style=\"text-align: center;\"><strong>Stellan Skarsg\u00e5rd, Harvey Keitel and Udo Kier star in this phantasmagorical horror about eastern Europe that saw half the Venice audience walk out. I couldn\u2019t look away<\/strong><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" width=\"100%\" class=\"aligncenter\" src=\"https:\/\/i.guim.co.uk\/img\/media\/c2629a59faf81b4fb64e4e511599496728434f23\/501_904_6026_3617\/master\/6026.jpg?width=620&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f86e1f896a4be36326a3e67d07672ae5\"><span style=\"color: #999999;\"><em>Pitiless chronicle \u2026 Barry Pepper in The Painted Bird. Photograph: Jan Dobrovsk\u00fd<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">One day they\u2019ll make a film about the first public screening of The Painted Bird, inside the Sala Darsena at the 2019 Venice film festival. It will feature the man who fell full-length on the steps in his effort to escape and the well-dressed woman who became so frantic to get out that she hit the stranger in the next seat. The centrepiece will be the moment 12 viewers broke for the doors only to discover that the exit had been locked. I\u2019m seeing this film as a disaster movie along the lines of The Towering Inferno, or perhaps a slapstick comic version of The Painted Bird itself.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Film festivals need masterpieces to marvel at and turkeys to laugh about. But they also need a film like The Painted Bird, a film that makes a mockery of star ratings. I can state without hesitation that this is a monumental piece of work and one I\u2019m deeply glad to have seen. I can also say that I hope to never cross its path again.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Czech director V\u00e1clav Marhoul spins war-torn history into phantasmagorical horror, rattling around ravaged eastern Europe for just shy of three hours. The Painted Bird is adapted from a 1965 novel by Jerzy Kosi\u0144ski, which was cobbled together from survivors\u2019 accounts, and takes its title from a scene in which a starling daubed with white paint is mistaken for an enemy and pecked to death by its flock. The movie shows this incident in complete grisly detail. It\u2019s one of its lighter, gentler moments.<\/span><\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" width=\"100%\" class=\"aligncenter\" src=\"https:\/\/i.guim.co.uk\/img\/media\/9ee2d1707745acd2c05f3bc88d14d45b0965fdc5\/220_100_2932_1957\/master\/2932.jpg?width=860&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3af02661434d7e67dd81297ec2245e89\"> <span style=\"color: #999999;\"><em>Tormented \u2026 Petr Kotlar in The Painted Bird. Photograph: Jan Dobrovsk\u00fd<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Petr Kotlar plays the unnamed Jewish stray, identified in the credits only as Boy. He\u2019s part Odysseus, part Job in that the tale has him caught in the eddies of the second world war, washed from one nightmarish episode to the next. Marhoul shot the film over several years, so that we watch Kotlar ageing as the movie progresses. He fills out on screen as the audience thins out.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The first mass walk-out is prompted by Udo Kier\u2019s jealous miller, who gouges out a man\u2019s eyes and then feeds them to his cats. The second, most violent exodus occurs when the local nymphomaniac (Jitka \u010cvan\u010darov\u00e1) is set upon by the townsfolk, while the third is so perfectly synchronised to a Cossack attack that the desperate dash of the spectators mirrors that of the villagers on screen. After it\u2019s over, the auditorium is hardly half full. Those who remain have decided to ride the rollercoaster right through.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Judged purely on visual terms, The Painted Bird is gorgeous: a lush black-and-white tour of birch forests and bulrushes and remote rustic hamlets. Judged as drama, it is brazenly brutal, a pitiless chronicle of a land red in tooth and claw, so steeped in primitive suspicions that it\u2019s startling to suddenly see a 20th-century plane or a truck, or spot actors from less threatening pictures. Look, there\u2019s Stellan Skarsg\u00e5rd playing a foursquare German; Harvey Keitel as a misguided Catholic priest; Julian Sands as the paedophile parishioner who is eager to take the boy in. Sands is in a death scene that may haunt me for weeks.<\/span><\/p>\n<div class=\"content-alignment\" id=\"content\">\n<div class=\"yt-uix-button-panel\" id=\"watch-description\">\n<div id=\"watch-description-text\" style=\"text-align: center;\">\n<p><iframe loading=\"lazy\" width=\"680\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/cH5YKki0KBs\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\"><br \/>\nMarhoul\u2019s film is unremittingly savage and searing. It knows exactly what it\u2019s doing and, by that logic, never puts a foot wrong. What this sets out to depict is an eastern Europe in crisis, rocked by war with its core melting down and psychosexual radiation bleeding into the surrounding countryside. The boy is so tormented and traumatised that it\u2019s small wonder he eventually becomes a tormentor, too.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The Painted Bird plumbs the depths, but rest assured that those hardy souls who stay the course are rewarded with the smallest glimmer of hope. This takes the form of a few lines drawn in the condensation of a bus window. After three hours in hell a lone crumb of comfort can fill us up like a banquet.<\/span><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\">\n<div class=\"content-alignment\" id=\"content\">\n<div class=\"yt-uix-button-panel\" id=\"watch-description\">\n<div id=\"watch-description-text\" style=\"text-align: center;\">\n<p><em>Zawarto\u015b\u0107 publikowanych artyku\u0142\u00f3w i materia\u0142\u00f3w nie reprezentuje pogl\u0105d\u00f3w ani opinii Reunion&#8217;68,<\/em><em><br \/>\nani te\u017c webmastera Blogu Reunion&#8217;68, chyba ze jest to wyra\u017anie zaznaczone.<br \/>\nTwoje uwagi, linki, w\u0142asne artyku\u0142y lub wiadomo\u015bci prze\u015blij na adres:<br \/>\n<\/em><span style=\"color: #000080;\"><strong><em><a style=\"color: #000080;\" href=\"mailto:webmaster@reunion68.com\"><span style=\"text-decoration: underline;\">webmaster@reunion68.com<\/span><\/a><\/em><\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<hr style=\"width: 100%;\">\n","protected":false},"excerpt":{"rendered":"<p>The Painted Bird review \u2013 savage, searing three-hour tour of hell Xan Brooks Stellan Skarsg\u00e5rd, Harvey Keitel and Udo Kier star in this phantasmagorical horror about eastern Europe that saw half the Venice audience walk out. I couldn\u2019t look away Pitiless chronicle \u2026 Barry Pepper in The Painted Bird. Photograph: Jan Dobrovsk\u00fd One day they\u2019ll [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[26,24],"_links":{"self":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/73107"}],"collection":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=73107"}],"version-history":[{"count":6,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/73107\/revisions"}],"predecessor-version":[{"id":73131,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/73107\/revisions\/73131"}],"wp:attachment":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=73107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=73107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=73107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}