{"id":93331,"date":"2022-03-31T17:05:33","date_gmt":"2022-03-31T15:05:33","guid":{"rendered":"http:\/\/www.reunion68.se\/?p=93331"},"modified":"2022-03-24T19:24:01","modified_gmt":"2022-03-24T17:24:01","slug":"28-05-69","status":"publish","type":"post","link":"https:\/\/www.reunion68.se\/?p=93331","title":{"rendered":"Oslo\u2019s Jewish Sewing Circle"},"content":{"rendered":"<h5 style=\"text-align: center;\"><a href=\"https:\/\/www.tabletmag.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"center alignleft\" src=\"http:\/\/www.reunion68.com\/Biuletyn\/img\/tablet-1.png\" alt=\"\" width=\"35%\"><\/a><span style=\"text-decoration: underline; color: #000080;\"><span><strong><a style=\"color: #000080; text-decoration: underline;\" href=\"https:\/\/www.tabletmag.com\/sections\/community\/articles\/oslo-jewish-sewing-circle-burial-shrouds\" target=\"_blank\" rel=\"noopener noreferrer\">Oslo\u2019s Jewish Sewing Circle<\/a><\/strong><\/span><\/span><\/h5>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>NINA LICHTENSTEIN<\/strong><\/span><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\">\n<h4 style=\"text-align: center;\"><span style=\"color: #808080;\"><strong>A small group of women in Norway are keeping tradition alive by sewing traditional shrouds for the dead<\/strong><\/span><\/h4>\n<p style=\"text-align: center;\">.<br \/>\n<img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/tablet-mag-images.b-cdn.net\/production\/f4ce9c707d1a0c412c0a2a7ca402b414406ee98a-2448x3274.jpg?w=1250&amp;q=70&amp;auto=format&amp;dpr=1\" width=\"100%\"><span style=\"color: #808080;\"><em>.Liv London, in her home in Oslo, explains how traditional shrouds are madeNINA LICHTENSTEIN<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Jenny Wulff called them \u201cthe sewing girls\u201d\u2014the Jewish women in Oslo who regularly got together under her leadership to sew <em>tachrechim<\/em>, the traditional garments used for Jewish burials. A Holocaust survivor, she was the matriarch of the group and sewed well into her 80s, teaching the craft to scores of new volunteer recruits until she died in 2009.<\/span><\/p>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">One of those recruits was Liv London, who was a relatively young woman in her early 40s when she was first introduced to the sewing circle. \u201cI understood this was something important that I wanted to be part of,\u201d said London, now 70. Today, she is the organizer of the group of eight Norwegian Jewish women who carry on the ancient tradition of sewing the shrouds by hand. Normally, the sewing circle meets about six times a year. But getting the group together to sew has been more challenging than usual during the COVID-19 pandemic\u2014and just as restrictions on social gatherings were lifted in Norway in the early fall 2021 and the sewing circle was getting ready to begin meeting regularly again, the omicron variant put a stop to the plans.<\/span><\/p>\n<blockquote>\n<p style=\"text-align: left;\"><strong>The value of keeping the tradition going in a small community like ours cannot be underestimated.<\/strong><\/p>\n<\/blockquote>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">On a rainy November afternoon in Oslo, London stood at her expansive dining room table where she has served Shabbat and Yom Tov dinners for 47 years. She gently opened a large Ziploc bag where white cotton fabrics were neatly folded in a pile. \u201cWe inherited a large roll of brown wrapping paper and twine, but we have decided to modernize a little,\u201d said London with a wink. Before she began to unfold the content, she removed a yellow Post-it note that said&nbsp;\u201cSet for Woman\u201d&nbsp;in neat, cursive writing. \u201cI try to write it the way they used to, in the olden days,\u201d she added in a soft voice. They try to have at least two completed sets of shrouds for each gender ready on hand at all times, because \u201cthere is nothing worse than having to sew&nbsp;<em>tachrechim<\/em>&nbsp;on 24 hours\u2019 notice.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The tradition of sewing&nbsp;<em>tachrechim<\/em>&nbsp;has been handed down from generation to generation. \u201cThey used to sit in silence and sew,\u201d London said. \u201cThe air was solemn and respectful, with no frivolous chit-chat.\u201d Though times have changed\u2014the women now talk freely enjoying each other\u2019s company\u2014in the early days of her volunteering, London was chided when she tried to play soft music in the background. \u201cThat was too much,\u201d she said, smiling. \u201cSo I never did that again.\u201d Before \u201cthe war\u201d\u2014WWII\u2014the sewing took place in secrecy. One of the oldest living (but now former) members of the circle, Ruth Goldstein, once told London that when she was a girl, there were times when her grandmother would not allow her and her siblings to play inside: This is how Goldstein learned that \u201cthe ladies are sewing.\u201d It was quiet in their apartment; only hushed voices could be discerned through the crack in the door.<\/span><\/p>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">According to Rabbi Joav Melchior of congregation Det Mosaiske Trossamfund, or DMT, Norway may be one of the few countries in Europe\u2014if not the only one\u2014that still sews its own&nbsp;<em>tachrechim<\/em>. \u201cThe value of keeping the tradition going in a small community like ours cannot be underestimated,\u201d he said. \u201cIt\u2019s so intimate: We know who we sew for. We prepare&nbsp;<em>tachrechim<\/em>&nbsp;for our aunts, friends, mothers, and fathers. Sometimes we even sew for ourselves \u2026\u201d Though it\u2019s easier to buy ready-made sets, Melchior points out that when a community transitions to modernity and outsources, despite the obvious convenience, something unique is lost. He gave the example of how everybody used to have their own utensils and set-up to kasher meat at home. Now that butchering and kashering is done industrially, the shared communal&nbsp;<em>doing<\/em> of the mitzvah is lost. \u201cWe are few enough that we are able to maintain self-sufficiency in caring for our own in death as well as in life,\u201d Melchior said. \u201cAnd this strengthens us as a community.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Jews in Norway currently number somewhere between 1,500 and 1,700, and the organized Jewish community is a relatively recent development with a fraught history. Though a few Sephardic merchants and bankers from Spain and Portugal were permitted to enter Norway in the 1500s and 1600s, a constitutional ban was instituted in 1687, lasting until 1851, when it was repealed after much public debate. DMT was founded in 1893, and with it the Jewish cemetery in Oslo. When Germany occupied Norway from 1940-45, there were about 2,173 Jews living there, but at least 765 were deported and murdered by the Nazis. Today, Oslo has the country\u2019s only operating synagogue with about 700 active members, and there are also smaller, loosely organized Jewish communities in Bergen, Stavanger, and Trondheim, numbering between 50 and 135 members each.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">From the beginning, the sewing of&nbsp;<em>tachrechim<\/em>&nbsp;took place privately in someone\u2019s home, but in 1960 the Jewish community center was built adjacent to the synagogue, and the sewing women\u2014who were all homemakers at the time\u2014would meet there during the day. Not until 1988 did the first among them say she could no longer sew during the day because she had to be at work. Today, it is mostly older, retired women who make up the circle and they have continued their regular daytime meetings, since most of them prefer to not venture out in the evening.<\/span><\/p>\n<div class=\"ArticleView__content-switch bradford text-article-body-md font-300 mxauto\">\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">The rules for making&nbsp;<em>tachrechim<\/em>&nbsp;are very specific: Only unbleached cotton fabric, cotton thread, and basic basting stiches should be used\u2014long and loose, the stitches are intended to just temporarily join the fabric. To demonstrate how the garments are put together, London spreads out two miniature sets, often used to educate school children and museum curators in Jewish traditions. One set for women and one for men, but regardless of gender, they include a tunic, pants, hood or bonnet, and belt. Modest with no frills, these simple shrouds have reaffirmed a fundamental belief in human equality for generations of Jews, as the universal use of&nbsp;<em>tachrechim<\/em>&nbsp;has historically protected the poor from embarrassment at not being able to afford lavish burial clothes. Furthermore, since the shrouds have no pockets, wealth or status cannot be expressed or acknowledged in death.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">When the women meet to sew, they put on white aprons to prevent the white shrouds from getting stained by their own clothing. Each session starts at 11 a.m. and they sew diligently until 3:30 p.m. with a short break for lunch. \u201cWhen we put down our projects, we enjoy a tasty lunch, and we breathe and use our voices differently,\u201d said London. Usually they are able to finish one set for each gender in one sitting, if at least six or seven seamstresses show up. \u201cAnd the work is not done until everyone has completed their part,\u201d she added, \u201cwhich means most stay put until everyone has finished their sewing.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Anne Cath Fischer agreed to join the circle when her father, a tailor, died in 1997. She said it was meaningful for her to continue the family\u2019s tradition of being involved in preparing the shrouds. Her father who was born in 1917 ran his own tailor shop in Oslo for more than 50 years, and was in charge of cutting the material for the&nbsp;<em>tachrechim<\/em>&nbsp;during his long professional career. Fischer enjoys recalling when her dad celebrated a big birthday late in life and the president of the synagogue toasted him and his skills, adding, \u201cAll the work you do for the dead must be good, because you never get any complaints!\u201d Fischer lost her husband suddenly about two years ago, and said she gets quite emotional thinking about the fact that she contributed to sewing the&nbsp;<em>tachrechim<\/em>&nbsp;in which he was buried, although she didn\u2019t know it at the time.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">London\u2019s close friend Katrine Jutrem Cohen, 60, is a longtime active member of the Jewish community in Oslo, and the youngest and newest member of the sewing club. She just returned from living for five years in Israel and said that after she observed what she felt was a conveyor belt approach to burial there, and the roughness with which corpses were handled, she was shocked. \u201cI understand that it\u2019s more complicated in Israel,\u201d she said, \u201csince it is such a crowded country,\u201d but the experience made her decide she definitely does not want to be buried there. When she and her husband moved back to Norway, she agreed to join London and the other sewing women. She had a new appreciation of how a small Jewish community like theirs shares in the commitment to care for their own, every individual, \u201cfrom cradle to grave.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">London pointed out that in recent years, the sewing circle has begun to consider more acutely their preparedness. For example, how to deal with crisis situations such as potential terrorist events, major accidents, or disasters. She said that if COVID-19 infections were to occur in the Jewish home for the aged, it may not be sufficient having only two sets of&nbsp;<em>tachrechim<\/em>&nbsp;for each gender on hand. At the onset of the pandemic, Melchior reached out to contacts abroad to make sure they had a backup plan in case there should be a sudden need for many sets. However, during the most severe government mandated COVID-19 shutdowns, it was no longer the Jewish community that prepared their dead for burial, as it was relegated by the state to take place in official funeral homes. \u201cWe had three burials during that period when we were unable to prepare our dead, and that was difficult for us,\u201d London said.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Waiting out the latest surge in COVID-19 infections, the women of the sewing circle have yet again to sew by themselves in their own homes, separated for a task that is especially meaningful to perform together. \u201cWhether we do it together or individually, it\u2019s a truly special experience to be part of creating something so important for our community,\u201d London said. Meanwhile, until they can gather again around her inviting dining room table, London dutifully drives around Oslo delivering the necessary materials to each seamstress.<\/span><\/p>\n<hr>\n<\/div>\n<\/div>\n<div class=\"AuthorBioBlock col-12 lg:col-10 xl-wide:col-8 w100 mt6 mxauto\">\n<div class=\"AuthorBioBlock__container graebenbach mt1_5 text-section-details-sm font-300 color-red\">\n<p style=\"text-align: left;\"><span style=\"color: #808080;\"><em><strong>Nina Lichtenstein<\/strong> is a writer, teacher, and storyteller who divides her time between Maine and Tel Aviv.<\/em><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\">\n<div id=\"content\" class=\"content-alignment\">\n<div id=\"watch-description\" class=\"yt-uix-button-panel\">\n<div id=\"watch-description-text\" style=\"text-align: center;\">\n<p><em>Zawarto\u015b\u0107 publikowanych artyku\u0142\u00f3w i materia\u0142\u00f3w nie reprezentuje pogl\u0105d\u00f3w ani opinii Reunion&#8217;68,<\/em><em><br \/>\nani te\u017c webmastera Blogu Reunion&#8217;68, chyba ze jest to wyra\u017anie zaznaczone.<br \/>\nTwoje uwagi, linki, w\u0142asne artyku\u0142y lub wiadomo\u015bci prze\u015blij na adres:<br \/>\n<\/em><span style=\"color: #000080;\"><strong><em><a style=\"color: #000080;\" href=\"mailto:webmaster@reunion68.com\"><span style=\"text-decoration: underline;\">webmaster@reunion68.com<\/span><\/a><\/em><\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<hr style=\"width: 100%;\">\n","protected":false},"excerpt":{"rendered":"<p>Oslo\u2019s Jewish Sewing Circle NINA LICHTENSTEIN A small group of women in Norway are keeping tradition alive by sewing traditional shrouds for the dead . .Liv London, in her home in Oslo, explains how traditional shrouds are madeNINA LICHTENSTEIN Jenny Wulff called them \u201cthe sewing girls\u201d\u2014the Jewish women in Oslo who regularly got together under [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[26,24],"_links":{"self":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/93331"}],"collection":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=93331"}],"version-history":[{"count":4,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/93331\/revisions"}],"predecessor-version":[{"id":93476,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/93331\/revisions\/93476"}],"wp:attachment":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=93331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=93331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=93331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}