{"id":94251,"date":"2022-04-03T17:00:24","date_gmt":"2022-04-03T15:00:24","guid":{"rendered":"http:\/\/www.reunion68.se\/?p=94251"},"modified":"2022-04-03T09:44:55","modified_gmt":"2022-04-03T07:44:55","slug":"10-00-74","status":"publish","type":"post","link":"https:\/\/www.reunion68.se\/?p=94251","title":{"rendered":"Controversy Over Nazi-Looted Items on Display at Reopened Scotland Museum"},"content":{"rendered":"<h5 style=\"text-align: center;\"><a href=\"https:\/\/www.algemeiner.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"center alignleft\" src=\"http:\/\/www.reunion68.com\/Biuletyn\/img\/algem.png\" alt=\"\" width=\"35%\" \/><\/a><span style=\"text-decoration: underline; color: #000080;\"><span><strong><a style=\"color: #000080; text-decoration: underline;\" href=\"https:\/\/www.algemeiner.com\/2022\/03\/31\/controversy-over-nazi-looted-items-on-display-at-reopened-scotland-museum\/\" target=\"_blank\" rel=\"noopener noreferrer\">Controversy Over Nazi-Looted Items on Display at Reopened Scotland Museum<\/a><\/strong><\/span><\/span><\/h5>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Shiryn Ghermezian<\/strong><\/span><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\" \/>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/www.algemeiner.com\/wp-content\/uploads\/2022\/03\/Burrell_collection_Glasgow-1.jpg\" width=\"100%\" \/><span style=\"color: #808080;\"><em>The outside of the Burrell Collection before its refurbishing. Photo: Wikimedia Commons.<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">An art museum in Glasgow, Scotland, reopened its doors on Tuesday for the first time in six years amid new accusations about Nazi-stolen items on display there,<span style=\"text-decoration: underline;\"><strong>\u00a0<\/strong><\/span><a style=\"color: #000080;\" href=\"https:\/\/www.scotsman.com\/arts-and-culture\/art\/glasgows-burrell-gallery-re-opening-rocked-by-row-over-nazi-treasures-3629006\" target=\"_blank\" rel=\"noopener noreferrer\"><em><span style=\"text-decoration: underline;\"><strong>The Scotsman<\/strong><\/span><\/em><\/a>\u00a0reported Monday.<\/span><\/p>\n<div class=\"sc-dkYRCH sc-XxNYO gGllVC isgjbf markup\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The book \u201c<a style=\"color: #000080;\" href=\"https:\/\/www.barnesandnoble.com\/w\/william-burrell-martin-bellamy\/1140372735\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"text-decoration: underline;\"><strong>A Collector\u2019s Life: William Burrel<\/strong><\/span>l<\/a>\u201d claims that artworks in The Burrell Collection, which just completed a nearly $91 million refurbishment, were obtained through \u201cforced sales\u201d during Adolf Hitler\u2019s reign in Nazi Germany, according to the outlet.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The news comes after the museum\u2019s collection, which was created by the late Scottish shipping magnate William Burrell and his wife, made headlines after two of its artworks were reported to be stolen from Jewish owners in Germany in the 1930s. The Glasgow City Council was forced to compensate descendants of the original owners.<\/span><\/p>\n<div class=\"sc-dkYRCH sc-XxNYO gGllVC isgjbf markup\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">\u201cResearch by the current curatorial team has indicated that there are other works in Burrell\u2019s Collection that may have been acquired as a result of forced sales,\u201d stated the book co-authored by Martin Bellamy, the research and curatorial manager at Glasgow Museums, and Dr. Isobel MacDonald, a specialist in 19th and 20th century British collecting history. MacDonald\u2019s PhD was on Burrell as a collector.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The book, which will be released on May 5, also revealed that in small notebooks he kept, Burrell was forthcoming about the provenance, description and price he paid for some of the items he collected.\u00a0Bellamy and MacDonald wrote that \u201csome of the practices that were employed would not be viewed as ethical today.\u201d<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Glasgow Life, which manages the Burrell Collection of almost 9,000 items on behalf of the Glasgow City Council, said the book\u2019s claim about \u201cforced sales\u201d is correct, but would not specify what the items are. Leading Scottish historian Sir Tom Devine criticized the museum for refusing to reveal the works.<\/span><\/p>\n<div class=\"sc-dkYRCH sc-XxNYO gGllVC isgjbf markup\">\n<div class=\"sc-dkYRCH sc-XxNYO gGllVC isgjbf markup\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">\u201dAs long as the provenance of these items is established by experts and curators, it should always be made public,\u201d he told<em>\u00a0The Scotsman.<\/em>\u00a0\u201cThe question the public will ask is \u2018what do they have to hide? I find the refusal rather curious. Curators of museums always want the truth to be out, and unvarnished at that.\u201d<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The museum also displayed in its reopening other looted items unrelated to World War II including a 200-year-old ritual wine vessel that was stolen during a raid of British troops on the Summer Palace in Beijing, China, in 1901, according to\u00a0<em>The Scotsman.\u00a0<\/em>The item dates back to the Han Dynasty.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Glasglow Life said in a statement that the looting of the palace was \u201cofficially sanctioned\u201d and that \u201cthere is nothing to suggest Sir William Burrell was made aware works he was buying originated from forced sales.\u201d<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">The Burrell Collection also has in storage an early 16th-century Swiss tapestry called \u201cThe Visitation,\u201d which was bought by Burrell in 1938 after it was sold from the estate of a German Jewish woman named Emma Budge. Budge\u2019s heirs laid claim to the item and Glasgow agreed to pay compensation for it, according to the\u00a0<span style=\"text-decoration: underline;\"><strong><a style=\"color: #000080; text-decoration: underline;\" href=\"https:\/\/www.scottishdailyexpress.co.uk\/news\/scottish-news\/glasgows-burrell-collection-facing-calls-26575985\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Scottish Daily Express<\/em><\/a><\/strong><\/span>. The tapestry was not on display at the museum\u2019s reopening but it did display a painting called \u201cPate de Jambon\u201d by Jean-Baptiste-Simeon Chardin, whose Jewish owners were\u00a0<span style=\"text-decoration: underline;\"><strong><a style=\"color: #000080; text-decoration: underline;\" href=\"https:\/\/plone.unige.ch\/art-adr\/cases-affaires\/pate-de-jambon-2013-anonymous-german-heirs-and-glasgow-city-council#:~:text=%E2%80%9CP%C3%A2t%C3%A9%20de%20Jambon%E2%80%9D%2C%20a,an%20unfair%20Nazi%20tax%20demand.\" target=\"_blank\" rel=\"noopener noreferrer\">forced<\/a><\/strong><\/span>\u00a0by Nazi authorities to sell.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Errol Francis, an art expert in the United Kingdom and head of the arts charity Culture&amp;, told\u00a0<a style=\"color: #000080;\" href=\"https:\/\/www.thetimes.co.uk\/article\/art-experts-shock-over-nazi-looted-items-s8hp7hgfp\" target=\"_blank\" rel=\"noopener noreferrer\"><em><span style=\"text-decoration: underline;\"><strong>The Times<\/strong><\/span><\/em><\/a>\u00a0it would be \u201cshocking\u201d if the museum displayed to the public Nazi-looted items in its reopening. He also called for an audit of every item in the Burrell Collection to make sure nothing else can be connected back to the Holocaust.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\" \/>\n<div id=\"content\" class=\"content-alignment\">\n<div id=\"watch-description\" class=\"yt-uix-button-panel\">\n<div id=\"watch-description-text\" style=\"text-align: center;\">\n<p><em>Zawarto\u015b\u0107 publikowanych artyku\u0142\u00f3w i materia\u0142\u00f3w nie reprezentuje pogl\u0105d\u00f3w ani opinii Reunion&#8217;68,<\/em><em><br \/>\nani te\u017c webmastera Blogu Reunion&#8217;68, chyba ze jest to wyra\u017anie zaznaczone.<br \/>\nTwoje uwagi, linki, w\u0142asne artyku\u0142y lub wiadomo\u015bci prze\u015blij na adres:<br \/>\n<\/em><span style=\"color: #000080;\"><strong><em><a style=\"color: #000080;\" href=\"mailto:webmaster@reunion68.com\"><span style=\"text-decoration: underline;\">webmaster@reunion68.com<\/span><\/a><\/em><\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<hr style=\"width: 100%;\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Controversy Over Nazi-Looted Items on Display at Reopened Scotland Museum Shiryn Ghermezian The outside of the Burrell Collection before its refurbishing. Photo: Wikimedia Commons. An art museum in Glasgow, Scotland, reopened its doors on Tuesday for the first time in six years amid new accusations about Nazi-stolen items on display there,\u00a0The Scotsman\u00a0reported Monday. The book [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[26,24],"_links":{"self":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/94251"}],"collection":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=94251"}],"version-history":[{"count":4,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/94251\/revisions"}],"predecessor-version":[{"id":94297,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/94251\/revisions\/94297"}],"wp:attachment":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=94251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=94251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=94251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}