{"id":98727,"date":"2022-10-04T17:05:43","date_gmt":"2022-10-04T15:05:43","guid":{"rendered":"http:\/\/www.reunion68.se\/?p=98727"},"modified":"2022-10-01T16:05:51","modified_gmt":"2022-10-01T14:05:51","slug":"09-05-86","status":"publish","type":"post","link":"https:\/\/www.reunion68.se\/?p=98727","title":{"rendered":"\u2018It\u2019s Burning,\u2019 Again"},"content":{"rendered":"<h5 style=\"text-align: center;\"><a href=\"https:\/\/www.tabletmag.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"center alignleft\" src=\"http:\/\/www.reunion68.com\/Biuletyn\/img\/tablet-1.png\" alt=\"\" width=\"35%\" \/><\/a><span style=\"text-decoration: underline; color: #000080;\"><strong><a style=\"color: #000080; text-decoration: underline;\" href=\"https:\/\/www.tabletmag.com\/sections\/community\/articles\/black-metal-music-yom-kippur\" target=\"_blank\" rel=\"noopener noreferrer\">\u2018It\u2019s Burning,\u2019 Again<\/a><\/strong><\/span><\/h5>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>ROKHL KAFRISSEN<\/strong><\/span><\/p>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\" \/>\n<h4 style=\"text-align: center;\"><span style=\"color: #808080;\"><strong>Rokhl\u2019s Golden City: Why Yiddish black metal is the perfect music for Yom Kippur<\/strong><\/span><\/h4>\n<p>.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/tablet-mag-images.b-cdn.net\/production\/6d4977e390f7902dd04ac8366a0fe3b32e16e947-1000x1000.jpg?w=1250&amp;q=70&amp;auto=format&amp;dpr=1\" width=\"100%\" \/><span style=\"color: #808080;\"><em>ORIGINAL IMAGE: LIBRARY OF CONGRESS<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">I want to talk about Yom Kippur. But only because I\u2019m dreading it. The best part of Yom Kippur is <em>nile<\/em>, or\u00a0<em>Ne\u2019ilah<\/em>, if you prefer. The gates of heaven are closing. The\u00a0<em>shoyfer<\/em>\u00a0is blowing. Maybe someone is even going into the shul kitchen to bring out a tray with little cups of apple juice. You feel elated. But let\u2019s be real, you look like hell. I mean,\u00a0<em>I<\/em>\u00a0do. You probably look fresh as a daisy.<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">After 25-ish hours of fasting and repenting for all your sins, you probably don\u2019t want to think about your own mortal weakness for a while, if not a whole year. The contrast between those feelings\u2014pre-repentance and post-repentance\u2014is the subject of Aaron Lebedeff\u2019s superb comic Yiddish theater song, \u201c<em>Far nile, nokh nile<\/em>\u201d (Before Nile, After Nile).<\/span><\/p>\n<div id=\"content\" class=\"content-alignment\">\n<div id=\"watch-description\" class=\"yt-uix-button-panel\">\n<div id=\"watch-description-text\" style=\"text-align: center;\">\n<p><iframe loading=\"lazy\" title=\"Aaron LEBEDEFF, far nile nokh nile (w\/transltion) ON FAST DAY, PAST FAST DAY \u05e4\u05bf\u05d0\u05b7\u05e8 \u05e0\u05e2\u05d9\u05dc\u05d4, \u05e0\u05d0\u05b8\u05da \u05e0\u05e2\u05d9\u05dc\u05d4\" src=\"https:\/\/www.youtube.com\/embed\/Qw5ZoZ9Zj1A\" width=\"680\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>.<\/p>\n<div class=\"ArticleView__content-switch bradford text-article-body-md font-300 mxauto\">\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<blockquote><p><strong><em>far nile, nokh nile\u00a0<\/em>(before\u00a0<em>nile<\/em>, after\u00a0<em>nile<\/em>)<\/strong><br \/>\n<strong><em>a bokher, a bsile<\/em>\u00a0(whether a boy or a girl)<\/strong><br \/>\n<strong><em>darf a yeyder zayn a shtikl mentsh<\/em>\u00a0(every person must strive to be a mentsh)<\/strong><\/p><\/blockquote>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">So far, so good. Practical, if bland, moral advice. The song continues: In each of our lifetimes we must make a\u00a0<em>kheshbn<\/em>.\u00a0<em>Kheshbn<\/em>\u00a0is a\u00a0<em>loshn-koydesh<\/em>\u00a0(Hebrew-Aramaic) word meaning accounting. It has a very specific meaning in relation to Rosh Hashanah and Yom Kippur. Traditionally, one makes an accounting of the soul, a\u00a0<em>kheshbn hanefesh<\/em>, in preparation for judgment. And\u00a0<em>Hashem<\/em>\u00a0is doing his own accounting in order to seal us, hopefully, in the Book of Life. So, says Lebedeff, don\u2019t be too snobbish. Down the road, fate may leave you, too, with a face looking like \u201cafter\u00a0<em>nile<\/em>.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">And the girls. The girls! Today\u2019s girls, he says, smear mascara on their eyes to look good for the boys. But in the morning, when they see themselves:<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<blockquote><p><strong><em>hobn zey a ponim vi nokh nile<\/em>\u00a0(they have a face like the one after\u00a0<em>nile<\/em>)<\/strong><br \/>\n<strong><em>un derfar zog ikh<\/em>\u00a0(therefore I say)<\/strong><br \/>\n<strong><em>un gedenkt dos git bay zikh<\/em>\u00a0(and you should remember it well, too \u2026)<\/strong><\/p><\/blockquote>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\">Living in the age of front-facing cameras and social media, we tend to think we\u2019re the first to be obsessed with our own images, and specifically, the suspicion that good looks reflect inner goodness. But Lebedeff gets his jabs in at the vanity of his own generation, with special attention, of course, to the girls. The message is reminiscent of memento mori paintings. Memento mori is Latin for \u201cremember you must die.\u201d Such a painting might be a portrait with symbols of mortality\u2014a skull or hourglass, for example.\u00a0In Lebedeff\u2019s song, the haggard, post-<em>nile<\/em>\u00a0face is sort of like the skull in the painting, whispering of what we mustn\u2019t forget.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">In their\u00a0<a style=\"color: #000080;\" href=\"https:\/\/www.tate.org.uk\/art\/art-terms\/m\/memento-mori\"><span style=\"text-decoration: underline;\"><strong>section on the memento mori painting<\/strong><\/span><\/a>, the Tate London Museum says they \u201cbecame popular in the 17th century, in a religious age when almost everyone believed that life on earth was merely a preparation for an afterlife.\u201d Of course, traditional Eastern European Jews also believed that they were preparing for the world to come, after death. But for Lebedeff, the emphasis is on one\u2019s behavior in the here and now. And traditional Jewish life in Eastern Europe placed great value on this life, and its ethical cultivation. Whether it\u2019s minutes before\u00a0<em>nile<\/em>, or hours later, when the previous day\u2019s bodily abnegations have been forgotten, what matters is being a\u00a0<em>mentsh<\/em>.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Lebedeff\u2019s message, while serious, is presented in his delightfully lighthearted, song-and-dance-man style. If that\u2019s not quite doing it for you in terms of musical\u00a0<em>musar<\/em>, have you considered Yiddish\u00a0<a style=\"color: #000080;\" href=\"https:\/\/en.wikipedia.org\/wiki\/Black_metal\">black metal<\/a>?<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">I was scrolling (I know, Lebedeff would mock me) Instagram when I came across the band Akloleh, which in Yiddish means \u201ca curse.\u201d Unlike my own page\u2014dozens of only slightly different glamour shots taken in front of the same grimy window\u2014Akloleh\u2019s Instagram aesthetic is entirely \u201chaunted forest,\u201d with barely a human figure to be found.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\"><a style=\"color: #000080;\" href=\"https:\/\/akloleh.bandcamp.com\/\">Akloleh<\/a>\u00a0is made up of one man in particular, who goes by the stage name Mazik, which he asked to be used for this article. In publicity, he describes his project like this: \u201cAkloleh is based deep within the Alaskan rainforest, amid glaciers and towering mountains. With furious guitars and desperate screams, Akloleh uses the Tanakh and other Jewish texts to make sense of environmental devastation, antisemitism, exploitation, and rampant greed.\u201d Is there anything more appropriate for Yom Kippur 2022 than a new black metal liturgy?<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">The band\u2019s first album,\u00a0<em>A Curse<\/em>, came out last year and used mostly biblical texts. The second album,\u00a0<em>Eternal Ritual<\/em>, comes out this fall, and the first single is one of the most beloved, and most recorded, Yiddish songs, from the catalog of Mordechai Gebirtig.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Whether you\u2019re ready for it or not, you should hear Akloleh\u2019s setting of Gebirtig\u2019s \u201c<a style=\"color: #000080;\" href=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=2160304869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\"><em>Es Brent<\/em><\/a>\u201d (It\u2019s Burning).<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Written in the late 1930s in Krakow, Poland, there was nothing metaphorical about the fire Gebirtig described. These were Jewish homes and towns going up in flames. I got in touch with Mazik to find out more. Why record \u201c<em>Es Brent\u201d<\/em>? As he told me in an email: \u201cThe first recording I heard of this song was this intense, urgent version that had instrumentation like sirens, fast strumming, and the singing sounded so desperate. And the lyrics themselves have felt more and more relevant the older I\u2019ve gotten as antisemitism has been rising around the U.S.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">Despite the events being almost a century distant from us, the song\u2019s power, and what it describes, continues to reach new generations. Mazik described frustration at what he perceived to be indifference to antisemitism among his circle of friends. Even among the progressive and accepting, he saw a \u201cstunning silence\u201d in respect to antisemitic violence:<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">\u201cI kept thinking of Mordechai Gebirtig\u2019s\u00a0lyrics and was wondering how I could capture the same intensity\u201d of that first recording he had heard. \u201cSo I came up with this kind of punchy riff that\u2019s the main focus of the song. I wanted to really capture that whole range of feelings\u2014frustration, desperation, depression, isolation, but also resilience and defiance.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">For Mazik, the song reverberates with multiple interpretations. One is quite literal. Before coming to Alaska, he lived in California, where smoke and ash from wildfires regularly made it impossible to go outside without an N95 mask. \u201cI have a feeling of looking around and asking others, \u2018are we just going to watch this fire burn?\u2019\u201d He makes a point of not blaming individual consumers for a phenomenon driven by global corporations, but says that the song \u201cis also a call for us to reflect on our culpability in systemic violence that includes climate change; for all of us to ask how we have participated in and maybe enabled climate change, racism, and economic inequity.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">The first album used mostly Hebrew texts, especially selections from Ezekiel and Lamentations. Those texts spoke to the environmental anxiety he was feeling, sparked by California\u2019s devastating wildfires, and the realization that such devastation was no longer the exception, but the new normal. For the second album, though, he wanted to do something different. He set out to make a black metal album \u201crooted in Ashkenazi culture to some extent\u201d and exploring \u201cmore typical black metal topics like magic, ritual, and hopelessness.\u201d Despite never having owned a black metal album in my life, you can imagine me clicking the \u201cpurchase\u201d button immediately.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">I always had a vague notion that black metal was fatally contaminated by its association with\u00a0<a style=\"color: #000080;\" href=\"https:\/\/www.splcenter.org\/fighting-hate\/intelligence-report\/1999\/black-metal-spreads-neo-nazi-hate-message\">antisemitism<\/a>\u00a0and Swedish church burnings. Not exactly fertile ground for Yiddish fusion. But Mazik told me labels and bands are refusing to work with anyone associated with\u00a0<a style=\"color: #000080;\" href=\"https:\/\/en.wikipedia.org\/wiki\/National_Socialist_black_metal\">National Socialist black metal<\/a>\u00a0(NSBM) and, as someone who clearly loves the scene,\u00a0<a style=\"color: #000080;\" href=\"https:\/\/www.newyorker.com\/culture\/culture-desk\/heavy-metal-confronts-its-nazi-problem\">pushing back on the antisemitism<\/a>\u00a0was part of the reason he wanted to start a Jewish black metal band in the first place.\u00a0<em>Tshuve<\/em>.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">But aside from the antisemitism, I\u2019m not really sure\u00a0<em>how<\/em>\u00a0one listens to black metal. Mazik, a black metal fan from the age of 15, says he finds it meditative, \u201cespecially with the excessive reverb and tremolo-picked riffs that feel almost symphonic when your ear adjusts.The intensity kind of takes me to another place that feels very freeing and expressive.\u201d<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">I\u2019m not sure my rapidly aging ear could ever really adjust to the black metal ethos. But I find Mazik\u2019s project fascinating. His story is not just one of unexpected fusions, but also return,\u00a0<em>tshuve<\/em>. He had grown up going to temple \u201csemi-regularly\u201d with his mother, but drifted away from Jewish life at 15. At the age of 19, he discovered his father\u2019s hidden Jewish heritage, learning that his grandfather had been a Yiddish-speaking Jew from Eastern Europe. It was that discovery that drew him to learning Yiddish, combining Duolingo with reading Yiddish poetry. And now it is 2022, and as \u201cMazik\u201d he is a Jewish musician making unlikely Yiddish music from\u00a0<em>ek velt<\/em>, the edge of the world.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\">The\u00a0<em>shoyfer<\/em>\u00a0blasts of this season are meant to wake us up spiritually, and no doubt somatically, too. Wake up! they say. No more looking away, from ourselves or the world. On Yom Kippur we read the book of Jonah, a reluctant prophet whose story famously begins with God telling him to wake the hell up and get to Nineveh. In Akloleh\u2019s percussive riffs I find echoes of the\u00a0<em>shoyfer\u2019s<\/em>\u00a0blast. This is music for the season, which insists on itself, music which would wake even the sleepiest of prophets.<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\">\n<p><span style=\"color: #000080;\"><strong>LISTEN: Akloleh<\/strong>\u00a0is on\u00a0<a style=\"color: #000080;\" href=\"https:\/\/youtu.be\/ffj07wtD9Vk\">YouTube<\/a>\u00a0and you can buy his first and second albums on\u00a0<a style=\"color: #000080;\" href=\"https:\/\/akloleh.bandcamp.com\/track\/es-brent-our-town-is-burning\">Bandcamp<\/a>\u00a0\u2026<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\" style=\"text-align: left;\"><\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<p style=\"text-align: left;\"><span style=\"color: #000080;\"><strong>ALSO:<\/strong>\u00a0The Cantors Assembly presents a\u00a0<strong>Moyshe Oisher Virtual Film Festival<\/strong>, opening Oct. 2 and running through April 2023. More information\u00a0<a style=\"color: #000080;\" href=\"https:\/\/www.cantors.org\/oysherfilmfest\/\">here<\/a>\u00a0\u2026 Now up at the American Jewish Historical Society, a new exhibit on the history of Union Square, site of so much\u00a0<strong>Yiddish labor history<\/strong>:\u00a0<a style=\"color: #000080;\" href=\"https:\/\/ajhs.org\/exhibits\/union-square-from-sitting-room-to-soapbox\/\"><em>From Sitting Room to Soapbox: Emma Lazarus, Union Square, &amp; American Identity<\/em><\/a>. In conjunction with the exhibit, AJHS will host a daylong symposium on Oct. 2 called \u201c<a style=\"color: #000080;\" href=\"https:\/\/ajhs.org\/events\/the-leonard-l-milberg-symposium-in-honor-of-harold-t-shapiro-jews-in-the-gilded-age\/\">Jews in the Gilded Age<\/a>.\u201d \u2026 On Oct. 27, the Yiddish Book Center and Posen Library of Jewish Culture and Civilization will present \u201cWomen\u2019s roles across literature, culture, and the rise of feminism: 1973\u20132005,\u201d a talk by\u00a0<strong>Deborah Dash Moore<\/strong>. Register\u00a0<a style=\"color: #000080;\" href=\"https:\/\/us02web.zoom.us\/webinar\/register\/WN_t8xMwGQRRbqVWwV2Zj5RfA\">here<\/a>\u00a0\u2026 Jewish Studies at Fordham has offered its\u00a0<strong>walking tour of the Jewish Bronx<\/strong>\u00a0with Julian Voloj a couple times now, but it seems to sell out immediately. So even if you can\u2019t go on the walk in person, you can\u00a0<a style=\"color: #000080;\" href=\"https:\/\/www.youtube.com\/watch?v=6tGh0QDVaSU\">check out Julian Voloj\u2019s talk on YouTube today<\/a>\u00a0\u2026 I see from my Klezkanada friend Jason Rosenblatt that the\u00a0<strong>Jerusalem Harmonica Festival<\/strong>\u00a0will be happening Nov. 16-17. Jason is an amazing harmonica player, and yes, klezmer harmonica is a thing you need to know about. Save the date!<\/span><\/p>\n<\/div>\n<div class=\"BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto\">\n<hr \/>\n<\/div>\n<\/div>\n<div class=\"AuthorBioBlock col-12 lg:col-10 xl-wide:col-8 w100 mt6 mxauto\">\n<div class=\"AuthorBioBlock__container graebenbach mt1_5 text-section-details-sm font-300 color-red\">\n<p style=\"text-align: left;\"><span style=\"color: #808080;\"><em><strong><a style=\"color: #808080;\" href=\"http:\/\/rokhl.blogspot.com\/\">Rokhl Kafrissen<\/a><\/strong>\u00a0is a New York-based cultural critic and playwright.<\/em><\/span><\/p>\n<\/div>\n<\/div>\n<hr style=\"height: 15px; background: #d0e6fa; width: 100%;\" \/>\n<div id=\"content\" class=\"content-alignment\">\n<div id=\"watch-description\" class=\"yt-uix-button-panel\">\n<div id=\"watch-description-text\" style=\"text-align: center;\">\n<p><em>Zawarto\u015b\u0107 publikowanych artyku\u0142\u00f3w i materia\u0142\u00f3w nie reprezentuje pogl\u0105d\u00f3w ani opinii Reunion&#8217;68,<\/em><em><br \/>\nani te\u017c webmastera Blogu Reunion&#8217;68, chyba ze jest to wyra\u017anie zaznaczone.<br \/>\nTwoje uwagi, linki, w\u0142asne artyku\u0142y lub wiadomo\u015bci prze\u015blij na adres:<br \/>\n<\/em><span style=\"color: #000080;\"><strong><em><a style=\"color: #000080;\" href=\"mailto:webmaster@reunion68.com\"><span style=\"text-decoration: underline;\">webmaster@reunion68.com<\/span><\/a><\/em><\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<hr style=\"width: 100%;\" \/>\n","protected":false},"excerpt":{"rendered":"<p>\u2018It\u2019s Burning,\u2019 Again ROKHL KAFRISSEN Rokhl\u2019s Golden City: Why Yiddish black metal is the perfect music for Yom Kippur . ORIGINAL IMAGE: LIBRARY OF CONGRESS I want to talk about Yom Kippur. But only because I\u2019m dreading it. The best part of Yom Kippur is nile, or\u00a0Ne\u2019ilah, if you prefer. The gates of heaven are [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[26,24],"_links":{"self":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/98727"}],"collection":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=98727"}],"version-history":[{"count":7,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/98727\/revisions"}],"predecessor-version":[{"id":98743,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=\/wp\/v2\/posts\/98727\/revisions\/98743"}],"wp:attachment":[{"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=98727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=98727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.reunion68.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=98727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}