Archive | December 2017

Take a tour of Israel’s huge new solar-energy valley in the desert

Israel21cTake a tour of Israel’s huge new solar-energy valley in the desert

Abigail Klein Leichman


One of the largest renewable energy projects in the world, the sprawling Negev complex will produce 300 megawatts of clean electricity every day.

Photo of Ashalim thermo-solar power station mirror arrays by Gilad Kavalerchik/Negev Energy

Four Eiffel Towers could be built with the 28,000 tons of steel being used by Negev Energy to construct the Ashalim Thermo-Solar Power Station in Israel’s Negev Desert. Spread flat over 988 acres of sand, the array is nevertheless an impressive sight that tourists will be able to view from a platform after the plant opens next summer.

The Negev Energy project – which ISRAEL21c toured recently — is one of two gigantic thermo-solar plants going up side by side in Ashalim, about 40 kilometers south of Beersheva. The other one actually does incorporate a tall tower.

The Tower of Power energy project in Ashalim. Photo courtesy of BrightSource Energy

In addition to these two plants generating electricity from the sun’s heat using different technologies, two other plants will produce a total of 70 megawatts of electricity from sunlight using photovoltaic panels. The combination of technologies in one spot is unprecedented in the world.

Altogether, the Ashalim complex will provide approximately 300 megawatts of electricity daily to the Israel Electric Company’s national grid, contributing 2.5 percent toward the government’s goal of 10% renewable energy by 2020. Currently, only 2.6% of Israel’s electricity is generated from renewable sources.

Overhead view of Ashalim thermo-solar power station under construction. Photo by Albatross/Negev Energy

“I think that Ben-Gurion is turning over in his grave, but from joy,” comments Eran Doron, head of the Ramat Hanegev Regional Council in whose jurisdiction Ashalim lies.

Doron is referring to a 1955 speech by first Israeli Prime Minister David Ben-Gurion, spelling out his vision for scientific innovation arising from the Israeli desert. Large-scale water desalination and solar-energy generation were central to his dream and both are happening.

Half a million mirrors

Each of the four Ashalim projects is funded by international consortiums based on the build-operate-transfer (BOT) model. Following construction and 25 years of operation, they’ll be transferred to the state.

Our tour focused on Negev Energy’s $1.1 billion project, said to be the largest energy project in Israel and one of the largest renewable energy projects in the world.

Negev Energy is a 50% subsidiary of Israel’s global Shikun & Binui Group; the other owners include the Noy Fund and Spanish company TSK.

The 121-megawatt plant’s 16,224 parabolic troughs, fitted with half a million mirrors (cleaned twice weekly), will collect the sun’s heat from any angle and transfer it through 203 kilometers of glass-insulated steel pipes that absorb the radiation.

The radiation will heat thermal oil flowing through the pipes to 390 degrees Celsius. The hot oil will then turn water into steam to drive a turbine generating enough power for 60,000 homes.

The net effect will be equivalent to taking 50,000 vehicles off the road, preventing emissions of some 245,000 tons of carbon dioxide.

The round storage units hold molten salt that will transfer heat to and from thermal oil via heat exchangers in the middle. Photo by Albatross/Negev Energy

The plant will operate up to 18 hours per day, even in cloudy weather and after dark, using a molten salt heat-exchange and storage system to keep the oil hot. Some natural gas will be used as well.

“This is a game-changer,” said Negev Energy CEO Didi Paz. “It’s the first time this proven technology is being used in Israel.”

The plant uses a combination of field-tested Israeli and foreign innovations. For example, the mirrors are imported from Spain, the oil from the United States and the insulated pipes are made by a company in Beit Shemesh.

“Israel was one of the pioneers in developing the science behind thermo-solar technology, especially at the Weizmann Institute 30 or 40 years ago. But Israel lagged behind in applying the technology,” Paz told ISRAEL21c.

Tower of Power

The companion to the Negev Energy installation is a 110-watt thermo-solar station consisting of 50,000 computer-controlled heliostat mirrors that concentrate the sun’s heat onto a boiler atop a 250-meter tower.

This BOT project is being built by Megalim Solar Power for a consortium consisting of BrightSource Energy, GE Renewable Energy and the Noy Fund.

The Tower of Power thermo-solar power station at Ashalim. Photo courtesy of BrightSource

The two massive thermo-solar installations overshadow the 100 houses of Ashalim village, founded about 15 years ago by the Ayalim Association, a grassroots student movement to populate the Negev and Galilee.

“These families woke up one day and realized four monsters are going to be surrounding them,” said Paz, explaining that the government chose this particular site for a variety of reasons.

“We want to make life easier for them so we’ve engaged them on a constant basis, keeping them updated on the project and trying to avoid harming their peace. Now they sell services to the project and we’ve been able to provide them with better infrastructure that helps their agriculture and homes. We started three or four years ago as enemies and we’ve become friends.”

What about wildlife?

Yuval Saragusty, Negev Energy’s manager of energy, health, safety and security, oversees sustainability on site. His crew made 26 small-animal crossings, relocated rare desert plants and will restore truckloads of topsoil removed in construction. So as not to disturb animals active after dark, the plant won’t have perimeter lights.

Although there’s no avoiding the intensive natural-resource consumption of any power plant – even one producing clean, green energy — the Ashalim project meets advanced international environmental standards, said Paz.

The thermal oil will be fully recycled, while the water (1.6 million cubic meters annually, mainly from desalination plants) will be recycled as much as possible. Water that has gotten too salty from repeated recycling and evaporation will be released into two evaporation ponds rather than into the two streams bordering the plant.

Juan Morales De Casticca, safety officer for Negev Energy’s thermo-solar project in Ashalim. Photo by Abigail Klein Leichman

The project also strives for social responsibility, Paz noted.

About 300 of the more than 1,000 employees in the construction phase come from the neighboring Bedouin village of Bir Hadaj. All the schoolchildren of Bir Hadaj have toured the site and learned how the technology works.

“We are giving preference to residents of the South. More than half of our employees now are residents of the Negev,” Paz said. “We are doing everything possible to make them benefit from the project by training and employing them.”

About 60 workers will operate and maintain the plant during its 25 years of private operation.


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Wiera Gran – recenzje

Wiera Gran – recenzje

RAFAŁ DAJBOR


Wiera Gran – Monika Chrząstowska

Wiera Gran urodziła się 20 kwietnia 1916 roku. Przed wojną była popularną piosenkarką, aktorką muzycznych teatrów i teatrzyków, zagrała w filmie („Bezdomni” Aleksandra Martena, z udziałem m.in. Idy Kamińskiej), występowała w kawiarniach, w radiu. Piętnem, które naznaczyło większą część jej życia okazały się wojna i Holokaust.

Występowała w getcie. Śpiewała. I przeżyła. Jako jedyna z całej swojej rodziny. Wciąż jednak musiała bronić się przed zarzutami o kolaborację. 8 maja 1945 roku, czyli dzień kapitulacji nazistowskich Niemiec, spędziła w więziennej celi. Dochodzenie umorzono szybko wobec braku znamion przestępstwa. Kolejnymi instytucjami, które uniewinniały Wierę Gran od zarzutów współpracy z okupantem były Związek Artystów Scen Polskich, Związek Zawodowy Muzyków oraz Centralny Komitet Żydów w Polsce. A jednak plotki i pomówienia nie cichły. W tej sytuacji Wiera Gran w 1950 roku wyemigrowała do Izraela, następnie do Wenezueli, by ostatecznie osiąść w Paryżu. Zmarła tam 19 listopada 2007 roku. W całkowitym zapomnieniu…

Wiera Gran – Monika Chrząstowska.

Twórcy przedstawienia „Wiera Gran” w Teatrze Żydowskim, autorka tekstu Weronika Murek i reżyser Jędrzej Piaskowski postanowili opowiedzieć o bohaterce nie poprzez sceniczną rekonstrukcję jej życiorysu, ani też nie poprzez zrealizowanie spektaklu o charakterze koncertu. „Życiorys Wiery Gran stanie się punktem wyjścia do skonstruowania muzyczno-teatralnej fantazji m.in. o związkach sztuki i twórczości z kwestią przetrwania za wszelką cenę oraz o sytuacji artysty wobec opresyjnej władzy i kontekstu. Twórcom zależy na symbolicznym zwróceniu Wierze Gran tego, co zostało jej odebrane, zarówno w wymiarze artystycznym i emocjonalnym, jak i na poziomie zbiorowej pamięci” – czytamy w programie.

Wiera Gran – Marcin Błaszak, Piotr Chomik

Tak więc „Wiera Gran” to nie opowieść o życiu pieśniarki, a raczej rekonstrukcja towarzyszącego jej klimatu. Klimatu bycia najpierw gwiazdą, potem ofiarą prześladowań, szukającą sposobu na ich przetrwanie, następnie zaś – przedmiotem nieustannych oskarżeń. Stąd też obecne w spektaklu zarówno w kostiumach (autorstwa 1683 Atelier), jak i ruchu scenicznym (Katarzyny Sikory) odrealnienie, chwilami wręcz groteska. Aktorzy (Marcin Błaszak, Piotr Chomik, Monika Chrząstowska, Ewa Dąbrowska, Paulina Lombarowicz, Joanna Rzączyńska, Małgorzata Trybalska, Ewa Tucholska) odziani są w takie same – bez względu na płeć – stylizowane na suknie kostiumy. Wykreowana na scenie rzeczywistość przypomina śmieszno-makabryczny świat filmów Piotra Szulkina. Wrażenie to potęguje jeszcze zwisający nad sceną zestaw reflektorów oraz skąpanie całej przestrzeni scenicznej w zimnym, zielonym świetle (scenografia i reżyseria światła: Aleksandr Prowaliński). Z pewnością dla wielu widzów, którzy – zasugerowani prostym, bezpretensjonalnym tytułem – przyjdą posłuchać piosenek gwiazdy sprzed lat, przedstawienie będzie zaskoczeniem.

A skoro już muzyce mowa… Jest wspaniała! Zarówno aranżacje piosenek Wiery Gran, jak i napisane do przedstawienia podkłady muzyczne idealnie podkreślają ten właśnie „szulkinowski” nastrój. Są elektroniczne, zimne, mechanicznie wręcz lodowate. Muzyka do „Wiery Gran” (autorstwa Bartosza Ignora, Michała Lisa i Piotra Lisa) to dzieło samo w sobie. Gdyby np. Teatr Żydowski wydał ją na płycie, płyta ta stałaby się obowiązkową pozycją w kolekcji każdego miłośnika ambitnej muzyki elektro.

Wadą spektaklu jest natomiast „siadające” co i raz tempo. Trudno orzec, czy to wina scenariusza, reżyserii, czy układu kompozycyjnego poszczególnych elementów. Gdyby to trwające przecież niezbyt długo, bo godzinę i dwadzieścia minut przedstawienie trwało jeszcze o kilka minut krócej z powodu szybszego rozegrania niektórych sekwencji, z pewnością wyszłoby to mu na dobre.


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Swastika Found at University of Michigan Hours After Divestment Vote Against Israel

Swastika Found at University of Michigan Hours After Divestment Vote Against Israel

Shiri Moshe


Michigan Stadium at the University of Michigan-Ann Arbor. Photo: Ken Lund.

A swastika was found at the University of Michigan-Ann Arbor (U-M) on Wednesday afternoon, hours after the school’s student government called on university leaders to divest from companies that do business with Israel.

The swastika — found in a men’s bathroom stall — was discovered by Sammy Lawrence, a Jewish senior at U-M who reported the antisemitic mark to the Division of Public Safety and Security, The Michigan Daily reported. A follow Jewish senior, Ryan Scheidt, also saw the swastika.

The university was contacted about the incident shortly before 3 p.m. — some twelve hours after the Central Student Government (CSG) voted to endorse a divestment resolution that accused Israel of practicing “apartheid” against Palestinians.

A spokesperson for the school to The Algemeiner that they “do not have any suspects in the incident nor do we know an approximate time during which it occurred.”
Scheidt — one of the students who saw the swastika — spoke to the Daily about a possible connection between the appearance of the mark and the CSG vote.

“I think if it did happen after this morning’s vote, I think that’s possible,” Scheidt told the paper. “I was fearful last night of the passing of the vote.”

According to the Daily, “Scheidt said he had felt he had a safe space on campus as a Jewish student until now, and he worried the #UMDivest vote would cause more anti-Semitic acts on campus like in the past.”

“I was fearful,” Scheidt added, “and if it was drawn this morning after the vote, I hope it has nothing to do with divestment, but it would scare me if it did.”

A study conducted by the monitoring group AMCHA Initiative in 2016 found that divestment resolutions are linked to an increase in antisemitic activity on campus.

“In 2016, the student governments of 10 schools in the study considered anti-Israel divestment resolutions,” the researchers noted. “Of these 10 schools, eight showed the largest increase in anti-Semitism from 2015 to 2016. Conversely, seven of the nine schools in the 2015 study that considered or voted on divestment resolutions showed a marked decrease in anti-Semitic activity in the first half of 2016 when no divestment resolution was considered. The two schools that did not decrease in anti-Semitic activity hosted discussions and votes on divestment.”


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