Archive | September 2016

Israel fumes over Norwegian theater boycott video

The Times of Israel
Israel fumes over Norwegian theater boycott video

Times of Israel staff


Artists release clip falsely claiming to be by Norway’s National Theater, in which it says it’s terminating cooperation with its Israeli counterpart over ‘apartheid’

Pia Maria Roll in a video staged to appear like a Norway National Theater statement boycotting cooperation with Israel's Habima, uploaded September 22, 2016. (screen capture: YouTube)
Pia Maria Roll in a video staged to appear like a Norway National Theater statement boycotting cooperation with Israel’s Habima, uploaded September 22, 2016. (screen capture: YouTube)

Israeli diplomats on Saturday fumed over a video posing as an official statement by the Norwegian National Theater, that calls for a cultural boycott of Israel’s National Theater, Habima.

The short clip, which was uploaded to YouTube Thursday after being aired at the biennial International Ibsen Festival in Oslo, shows an actress posing as the national theater’s spokeswoman. In it she calls for a boycott of Habima.

The actress in the film, Pia Maria Roll, says the theater would like to “publicly apologize for our shameful collaboration with Habima, the national theater of Israel,” adding that the cooperation served in “normalizing the Israeli occupation.” She called Israel a state “based on ethnic cleansing, racism, occupation and apartheid,” and the Israeli-Palestinian conflict “colonial” — “it’s not some passionate feud between the Montagues and Capulets.”

The film said the theater would join the Boycott, Divestment and Sanctions movement (BDS), and concluded with “Free Palestine and long live the national theater of Norway.”

Norwegian news site Vartoland said Roll and fellow actor Marius von der Fehr were behind the film, which expressed their opinion. Roll said their intention was to trick people into thinking the statement was made by the theater.

Norway’s National Theater said in a statement on its website that the film didn’t represent the institution’s policies and that it believes in cooperation with various nations abroad. It stopped short of condemning the video, calling it an expression of free speech.

Habima’s director said the film was made “behind the back of the administration” and that the national theater “guaranteed us that they would send a letter of clarification to me that [the message] broadcast in the film is not the stance of the theater.”

Israel’s Foreign Ministry, however, said the video was reminiscent of “the sick brainchild of [Nazi Propaganda Minister Joseph] Goebbels’ propaganda, the Nazi filmmaker Leni Riefenstahl, and the Norwegian collaborators [Vidkun] Quisling and [Knut] Hamson.”

“The State of Israel demands that the Norwegian National Theater, in whose name the libelous remarks are made, clearly and immediately denounce the film and act to remove it from every website and network,” the Foreign Ministry said in a statement to Ynet. The ministry said it would also take steps to remove the film from the internet.

As of the time of publication the video still appeared on YouTube.

The Norwegian Embassy in Israel also issued a statement in response to the film, saying Oslo “firmly opposes boycott.”


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Israel consortium signs ‘historic’ 15-year, $10b gas deal with Jordan

The Times of Israel
Israel consortium signs ‘historic’ 15-year, $10b
gas deal with Jordan

Tamar Pileggi and AFP


Amman electric company to purchase 45 billion cubic meters of gas from Leviathan field in the Mediterranean

An aerial view of the Israeli 'Tamar' gas processing rig 24 km off the Israeli southern coast of Ashkelon. Noble Energy and Delek are the main partners in the oil field, October 11, 2013. (Moshe Shai/FLASH90)An aerial view of the Israeli ‘Tamar’ gas processing rig 24 km off the Israeli southern coast of Ashkelon. Noble Energy and Delek are the main partners in the oil field, October 11, 2013. (Moshe Shai/FLASH90)

An Israeli gas consortium on Monday signed what Israel called a “historic” $10 billion deal with the Jordan Electric Power Company to supply the Hashemite Kingdom with natural gas for 15 years.

The agreement will provide Jordan with a total of approximately 45 billion cubic meters of gas from the Leviathan offshore gas field, turning Israel into its largest gas supplier.

The Leviathan consortium, which includes the US-based Noble Energy and Israel’s Delek Group, aims to bring the massive Leviathan oilfield online in 2019. The field is thought to contain over 500 billion cubic feet of gas and is expected to transform Israel into a regional energy powerhouse.

Energy Minister Yuval Steinitz (Likud) on Monday praised the deal as “an extremely important national achievement.”

“This is an important milestone in strengthening the ties and strategic partnerships between Israel and Jordan and the entire region,” he said, according to Channel 10.

Delek Drilling CEO Yossi Abu said the deal marked “a historic day,” according to the Hebrew-language NRG website. The agreement “establishes the Leviathan oilfield as a serious player on the energy map,” he said.

“Supplying natural gas to Jordan will enable our neighbors in Jordan to benefit from efficient, clean and cheap energy, just like the citizens of Israel,” he said. “It will contribute to the prosperity of Israel and Jordan and will strengthen ties and active partnerships between the two.”

“The Leviathan consortium will continue to push forward additional deals including with Egypt, Turkey and the Palestinian Authority,” he added.

One of the sticking points of the deal had been who would build the pipeline between the two countries, according to the Financial Times. The 26-kilometer (16 mile) pipeline is expected to cost around $70 million. It was not immediately clear whether the issue was resolved.

In 2014, Israel signed a separate deal with Jordan to supply $500 million worth of gas to the Hashemite Kingdom from the Tamar natural gas field in the Mediterranean.

Leviathan, discovered in 2010, is estimated to hold 18.9 trillion cubic feet (535 billion cubic meters) of natural gas, along with 34.1 million barrels of condensate.

Development of its own energy resources is seen as a major strategic asset for Israel, which has no oil and little water.

Noble-Delek’s proposed deal to develop Leviathan and number of other natural gas reserves discovered offshore Israel in recent years has faced persistent opposition from critics who say the partnership would create a monopoly in the gas market and lead to higher prices for Israeli consumers.

Over the last year, Prime Minister Benjamin Netanyahu has performed political cartwheels to override Knesset and public opposition to the consortium’s proposal before finally pushing an amended deal through the cabinet in May.

Netanyahu touts the gas deal as having the potential to bring would bring energy self-sufficiency and billions of dollars in tax revenues and transform Israel into a regional energy powerhouse.

Israel is reportedly in gas exportation talks with Turkey, Egypt, the Palestinians and the European Union.

Tamar Pileggi and AFP contributed to this report.


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Dzieła żydowskich twórców Szkoły Paryskiej w Villi la Fleur

Dzieła żydowskich twórców Szkoły Paryskiej w Villi la Fleur

Krzysztof Bielawski


Mojżesz Kisling, Roman Kramsztyk i inni. W Konstancinie-Jeziornie otwarto wystawę prac mistrzów Szkoły Paryskiej. Wielu z nich było polskimi Żydami.

Wystawa to kolejna inicjatywa Marka Roeflera, jednego z najbogatszych Polaków i kolekcjonera dzieł sztuki. W 2010 r. Marek Roefler w swojej rezydencji – Villi la Fleur w podwarszawskim Konstancinie-Jeziornie – urządził prywatne muzeum.

Wystawa Mistrzowie École de Paris (fot. Krzysztof Bielawski)

Najnowsza wystawa czasowa Mistrzowie École de Paris prezentuje ponad sto prac takich twórców, jak: Bolesław Biegas, Maurycy Mędrzycki, Henryk Epstein, Pinchus Kremegne, Mela Muter czy Mojżesz Kisling. Większość z nich miała żydowskie pochodzenie i do Paryża przybyła z Polski.

– Tymi artystami zacząłem interesować się ponad 20 lat temu. Moja fascynacja przerodziła się w pasję, a pasja przerodziła się w kolekcjonerstwo – mówi Marek Roefler.

Wystawa Mistrzowie École de Paris (fot. Krzysztof Bielawski)

Poprzez staranny dobór obrazów, grafik i rzeźb wystawa ma opowiedzieć o Montparnassie z pierwszej połowy XX wieku.

– École de Paris to nie tylko paryskie kawiarnie, ale także wspaniała riwiera – dodaje kurator wystawy Artur Winiarski – Dlatego na wystawie można obejrzeć pejzaże południa Francji na obrazach Meli Muter i innych artystów. Mamy też znakomite Saint-Paul de Vence na obrazach Milicha, Gottlieba czy Mędrzyckiego. Jest też cała sala kubistów, których pan Marek sobie szczególnie upodobał. Pokazujemy również mniej znanych artystów, takich jak Marc Sterling.

Wczorajszy wernisaż przyciągnął około 200 osób. Obrazy z kolekcji Marka Roeflera oglądali m.in. Małgorzata Walewska, Zbigniew Niemczycki i Wojciech Fibak.

Wystawa w Villi la Fleur będzie prezentowana do 31 marca 2017 r. Można ją zwiedzać po wcześniejszym ustaleniu terminu (tel. 22 578 41 22).


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The danger in Poland’s frontal attack on its Holocaust history

The danger in Poland’s frontal attack on its Holocaust history

Jan Grabowski


New legislation threatening prison time for anyone who talks about Poland’s complicity with the Nazi’s is just the latest dark turn in the country
Jan Grabowski
A man walks on the railway tracks in the former Nazi death camp of Auschwitz-Birkenau in May 2016. REUTERS/Kacper PempelA man walks on the railway tracks in the former Nazi death camp of Auschwitz-Birkenau in May 2016. REUTERS/Kacper Pempel

Last year’s presidential and parliamentary elections in Poland gave power to a right-wing, nationalistic and populist party, called Law and Justice. The ensuing changes on the political scene were nothing short of dramatic—and deeply troubling. Those who thought that the constitution was the supreme law of the land, were in for a nasty surprise: the new Polish government, with the help of the president, immediately started to dismantle and muzzle the Constitutional Court (an equivalent to the Canadian Supreme Court), the only remaining obstacle to its complete control of the state. The court is now paralyzed, and its most important verdicts are simply ignored by the authorities.

Elsewhere, the journalists of the state radio and television have been purged and those less sympathetic to the new regime were fired. Not surprisingly, the European Parliament took a dim view of the dismantling of democracy in one of its member states and repeatedly expressed its deep and growing concern over the situation in Poland.

However, the departure from democratic practices also goes hand in hand with a frontal attack on Polish history. “Who controls the present, controls the past,” wrote George Orwell, and the Polish authorities seem to have taken Orwell’s words to heart.

Earlier this month Zbigniew Ziobro, the Polish minister of justice, introduced new legislation intended to “defend the good name of the Polish nation.” The new set of laws, already approved by the cabinet, would impose prison terms of up to three years on people “who publicly and against the facts, accuse the Polish nation, or the Polish state, [of being] responsible or complicit in Nazi crimes committed by the III German Reich.” In the governmental narrative, the recently approved law is a penalty for those who talk about the “Polish death camps” of the Second World War. In reality, however, the new law, with its ambiguous and imprecise wording, is meant to freeze any debates which might be incompatible with the official, feel-good, version of the country’s own national past.

This “feel good” narrative, which the new Polish authorities espouse, is, however, based on historical lies and revisionism masquerading as a defence of “the good name of the Polish nation.” Just a few weeks ago Anna Zalewska, the Polish minister of education, declared herself unable to identify the perpetrators of the notorious 1946 Kielce pogrom. It is a matter of very public record that in 1946, in Kielce, in the center of Poland, one year after the end of the war, an enraged mob, incited by tales of blood libel, murdered close to 50 Jewish survivors of the Holocaust; women, men and children. Unfortunately, the minister was unable to admit that much. “Historians have to study the issue further,” she said, before finally declaring “it was perhaps anti-Semites.”

Her words were echoed Jaroslaw Szarek, the new chief of the Institute of National Remembrance, a state institution that aspires to be the guardian and custodian of Poland’s national memory. He flatly denied Polish involvement in, and responsibility for, the communal genocide in Jedwabne in 1941. Again, it is a matter of historical record that in July 1941 Polish citizens of Jedwabne herded hundreds of their Jewish neighbours into a barn and then set the barn on fire, burning their neighbours alive. The new law will, quite likely, make further debates surrounding these unpleasant events unlikely.

It so happens that the list of “unpleasant” historical themes, which could soon become a topic of interest to the police and to state prosecutors, is long. For instance, in the face of the new legislation, historians who argue that certain segments of Polish society were complicit in the extermination of their Jewish neighbours in the Second World War will now think twice before voicing their opinion. What about those who would like to study the phenomenon of blackmailing of the Jews, known in Polish as shmaltsovnitstvo? What about those who would like to talk about the role of the Polish “blue” police who collaborated with the Germans in the extermination of the Polish Jewry? What about those who want to shed light on the deadly actions of the Polish voluntary firefighters involved in the destruction of Jewish communities? Or on the involvement of so-called “bystanders,” who might have been much more involved in the German policies of extermination than had previously been thought?

Those are but a few of the who questions that have not yet been tackled by historians. Now, it’s the minister of justice and his prosecutors will probably decide what is a historical fact and what is not.

In the light of the clear message sent by the authorities, the new law, which should be adopted by the Polish parliament any day now, becomes a clear and present threat to the liberty of public and scholarly discussions. It is also a dramatic departure from the democratic principles and standards which govern the laws of other members of the European Union. Finally, introducing prison terms for people who dare to tackle some of the most difficult questions of the country’s past puts Poland right next to Turkey, infamous for its laws against “slandering of Turkish identity,” which is a code word for denying the Turkish responsibility for the Armenian genocide.

Unfortunately for Polish authorities—and fortunately for those involved in the study of the past—the history of the Holocaust, which is at stake here, is not the property of the Polish government. The history of the destruction of the European Jewry is, actually, the only universal part of the national history of Poland, one which resonates in the minds and hearts of people around the world. Any attempt to muzzle debate and to stifle academic research into the various aspects of the history of the Shoah can, should and, hopefully, will be seen as a form of Holocaust distortion, or Holocaust denial—something to be vigorously protested by the international community.


Jan Grabowski is a professor of history at the University of Ottawa and the 2016-17 Ina Levine Senior Invitational Scholar at the United States Holocaust Memorial Museum in Washington. His last book, Hunt for the Jews, was awarded the 2014 Yad Vashem International Book Prize for Holocaust Research.


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גד אלבז – פותח את ידיך – Gad Elbaz – Open Up

גד אלבז – פותח את ידיך – Gad Elbaz – Open Up

http://www.gadelbaz.com/
Join my Facebook page הצטרפו לעמוד הרשמי של גד אלבז בפיסבוק – https://www.facebook.com/GadElbazOffi…
לינק לרכישת 2 הגרסאות להורדה ישירה באיכות HD
Link to download the song there is two versions – Hebrew and English
http://www.gadelbaz.com.usrfiles.com/…

“Open up”
Lyrics – Zvika Bornstein / Prayer
Composed by Gad Elbaz and Shlomi Cohen
Producer – Shlomi Cohen
Produced & Arranged by Gad Elbaz & Elad Emek
Guitars: Shlomi Cohen
Recorded, Mixed & Mastered by Elad Emek
Produced and directed by Danny Finkelman
Production and Management: Shlomi Cohen ZOAB Entertainment
Public Relations: Hoshen Production – Shlomi Cohen

——Open Up—–
I look all around, its everywhere,
You are there besides me
You give everything, you the one above
I have nothing here beside you
From just grains of sand
You created land
That can nourish all creation
Let your wealth expend
Open up your hands Oh

Poteach Et Yadecha Umasbia lechol Chai Ratzon
Open up your hands….(Oh Oh Oh)

Just my inner child, with a list in hand
Asking you to keep on giving
Sometime we pretend
We don’t understand
That its you who keeps us living

Poteach Et Yadecha Umasbia lechol Chai Ratzon
Open up your hands….(Oh Oh Oh)

—————

It’s where upscale meets gourmet, where grocery shopping is transformed into an experience so joyous, you might just find yourself dancing down Breadberry’s carefully choreographed aisles.

This all new music video, starring superstar Gad Elbaz, captures the essence of Breadberry, a modern culinary paradise that has quickly become a favorite of customers of all types. Open Up, an original composition by Elbaz, is an upbeat and lighthearted reminder that all the goodness in our lives, even the food that we eat, is a divine gift to be treasured.

Directed and produced by Danny Finkelman, this is a collaboration between Clive NY and Sparks Next, choreography by Zvika Bornstein, with executive producer Sam Schlesinger
Open Up is a fun romp through Brooklyn’s hottest food market that will forever change your shopping experience.

השיר הוקלט בשתי גרסאות – גרסת הווידאו קליפ באנגלית וגרסת רדיו בעברית

״ פותח את ידיך – עבריתOpen Up״
מילים: מקורות
לחן: גד אלבז // שלומי כהן
הפקה מוזיקלית: גד אלבז
עיבוד מיקס ומאסטרינג: אלעד עמק
תכנותים: אלעד עמק
גיטרות: שלומי כהן
אולפן: דני סיון
במאי ומפיק – דני פינקלמן
ניהול והפקה: שלומי כהן ZOAB Entertainment
יחסי ציבור: שלומי כהן Hoshen Production – info@hoshenpro.com
מיתוג: סם שלזינגר מחברת הפרסום קלייב ניו יורק

Produced and Directed by: Daniel Finkelman
Executive Producer: Clive NY
Director of Photography: Brandon Pro
Assistant Director: Samantha Santos
Camera Operator: Steven Tong
Assistant Camera: Matthew Van Vorst
Gaffer: Mark Baucher
Best Boy Grip: Pat O’Callaghan
DIT: Jason Chen
Production Manager: Kimberly DiPersia
Location Sound: Grady Christopher
Writer/Script: John Olson
Casting/Choreography: Zvika Bornstein
Driver/Runner: Alejandro Marulanda
MUA: Kelley Coleman
Costumes: MaryLynn Suchan
Props: Cathleen Parra
Lead Production Assistant: Meir Kalmanson
Script Supervisor: Marcy DeRocha
1st Team Production Assistant: Daniel Rubin-Marx
Production Assistant: Brian Belzer
Production Assistant: Yehudah Benscher
Production Assistant: Shia Fried
Edited: Michael Puro and Jason Chen
Graphics: Jesse Martinez
Wardrobe: “Name Street”
Catering: Breadberry

Lighting (special effects): Mendy Boaron
Master Lighting Productions

Set photographer: Chana Blumus

Writer: Sandy Eller
Boy – Ryan Scalero
Manager – Gad Elbaz
Dad – Daniel Finkelman
Chaim Applebaum
Zevi Goldstone
Yoel Kreindler
Zevy Goldstone
Swayam Bhatia
Justin Grant
Rocco Wu
Lauren Hartman
Simone Vysnovsky
Ohad Bornstein
Shmuel Carmel
Yechiel Jacobs
Yoel Kreindler
Menachem Kamman
Chezky Moskowits
Moshe Kammen
Noam Bornstein
Sruly Gottlieb
Chaim Gottlieb

Dancers:
Chris Sottile, Anthony Pontecorvo, Max Zhang, Ryan Fiore, Jared Grospe, Nate Grospe, Ethan Thai

Special Thanks to:
Breadberry Supermarket & staff
Yanky Mayer
Sam Schlesinger at Clive NY
Yossi at Name Street Gifts
Cecelia Margules
Chaim Mayzlesh
Aaron Orian – “Olam Umloo”
For the latest projects, go to:
www.sparksnext.com

הפקה: ZOAB Entertainment
שלומי כהן Shlomi Cohen
+להזמנת הופעות: 972524339353
דוא”ל: s@gadelbaz.com

Kategori
Musik

Licens
Standardlicens för YouTube

Musik
”פותח את ידך” av גד אלבז (Google Play)

 


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